{"id":8684,"date":"2025-02-04T19:45:26","date_gmt":"2025-02-04T18:45:26","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=8684"},"modified":"2025-02-05T10:33:52","modified_gmt":"2025-02-05T09:33:52","slug":"exposition-manuel-zapata-orihuela-lima-1920-gentilly-2023","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/exposition-manuel-zapata-orihuela-lima-1920-gentilly-2023\/","title":{"rendered":"Exposition Manuel Zapata Orihuela (Lima 1920 – Gentilly 2023)"},"content":{"rendered":"\n

Escenas de vida y s\u00edmbolos ancestrales, pinturas de Manuel Zapata Orihuela<\/strong><\/em><\/p>\n\n\n\n

Paris, Consulat g\u00e9n\u00e9ral du P\u00e9rou, 27 rue de l’Arcade, Paris.<\/p>\n\n\n

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\"\"<\/a><\/figure><\/div>\n\n\n\n\n\n\n

Au 27, rue de l’Arcade, la pierre de taille accueille nombre d’\u00e9tablissements culturels, actifs ou ouverts sur une approche humaniste de l’image.<\/p>\n\n\n\n

C’est ce qu’a voulu M. Carlos Brice\u00f1o Salazar, Consul g\u00e9n\u00e9ral du P\u00e9rou, nouvellement arriv\u00e9 \u00e0 Paris, en rendant hommage au peintre Manuel Zapata Orihuela, disparu \u00e0 Gentilly o\u00f9 il r\u00e9sidait jusqu’\u00e0 cet \u00e2ge surprenant de 102 ans.<\/p>\n\n\n

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\"\"<\/a><\/figure><\/div>\n\n\n
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M. Carlos Brice\u00f1o Salazar inaugure l’exposition du peintre Manuel Zapata Orihuela aux c\u00f4t\u00e9s de l’\u00e9pouse du peintre et de sa fille.<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Ci-dessus, de gauche \u00e0 droite. Madame Zapata Orihuela devant les peintures de son \u00e9poux et l’accrochage de deux petits formats de l’exposition. <\/p>\n\n\n\n

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Un floril\u00e8ge de peintures de petits formats, \u00e0 l’huile ou \u00e0 la cire, rappellent l’excellence de son art si repr\u00e9sentatif du courant indig\u00e9niste. Personnages symboliques \u00e0 la polychromie \u00e9clatante, et paysages sont peupl\u00e9s de ces \u00eatres \u00e0 la fois simples et ancr\u00e9s dans une ruralit\u00e9 forte constituant les fleurons de cette belle initiative.<\/p>\n\n\n\n

A quand une exposition retrospective ?<\/p>\n","protected":false},"excerpt":{"rendered":"

Escenas de vida y s\u00edmbolos ancestrales, pinturas de Manuel Zapata Orihuela Paris, Consulat g\u00e9n\u00e9ral du P\u00e9rou, 27 rue de l’Arcade, Paris.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[43,42,21,1],"tags":[45,9,39,38],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-2g4","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":9084,"url":"https:\/\/alaincardenas.com\/blog\/fauve-ou-cobra-le-peintre-indigeniste-manuel-zapata-orihuela-portraits-dhier-et-de-demain-9\/","url_meta":{"origin":8684,"position":0},"title":"Fauve ou CoBrA ? Le peintre indig\u00e9niste Manuel Zapata Orihuela. Portraits d’hier et de demain (9)","author":"admin","date":"2025-10-30","format":false,"excerpt":"par Alain Cardenas-Castro Manuel Zapata Orihuela (Lima, 1921 \u2013 Gentilly, 2023), est un\u00a0peintre\u00a0p\u00e9ruvien (ill. 1 \u00e0 4) des repr\u00e9sentants de l\u2019indig\u00e9nisme[1], mouvement intellectuel et politique pr\u00e9dominant en Am\u00e9rique latine durant la premi\u00e8re moiti\u00e9 du XXe si\u00e8cle. Adepte d\u2019une polychromie forte qui puise \u00e0 la richesse d\u2019une tradition populaire et de\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/09\/01-IMG_20250126_170038.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6192,"url":"https:\/\/alaincardenas.com\/blog\/a-propos-du-colloque-international-images-et-representations-du-perou-en-france-1821-2021-musee-daquitaine-bordeaux\/","url_meta":{"origin":8684,"position":1},"title":"A propos du colloque international, \u00ab\u00a0Images et repr\u00e9sentations du P\u00e9rou en France – 1821-2021\u00a0\u00bb Mus\u00e9e d’Aquitaine, Bordeaux","author":"admin","date":"2022-04-30","format":false,"excerpt":"par Alain Cardenas-Castro Le Bicentenaire de l'ind\u00e9pendance du P\u00e9rou, 28 juillet 1821, voit la tenue d'un colloque international au Mus\u00e9e d'Aquitaine \u00e0 Bordeaux. Compte-rendu des vingt-deux interventions. A l'initiative de Madame Isabelle Tauzin-Castellanos[1], professeur de l'Universit\u00e9 Bordeaux Montaigne et membre honoraire de l\u2019Institut Universitaire de France, le colloque international, Images\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":9237,"url":"https:\/\/alaincardenas.com\/blog\/epiphanies-javier-silva-meinel\/","url_meta":{"origin":8684,"position":2},"title":"\u00c9PIPHANIES, Javier Silva Meinel","author":"admin","date":"2025-11-12","format":false,"excerpt":"Exposition du 9 novembre 2025 au 24 janvier 2026. Fermeture pendant les f\u00eates du 19 d\u00e9cembre au 7 janvier) du jeudi au samedi de 16h \u00e0 20h et sur RDV. Galerie Younique, 65 rue Pascal 75013 Paris. T\u00e9l. +33 6 26 76 36 33 galerieyounique@gmail.com compte-rendu par Alain Cardenas-Castro A\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9441,"url":"https:\/\/alaincardenas.com\/blog\/alain-cardenas-castro-collages-photos-et-lavis-dest-en-ouest\/","url_meta":{"origin":8684,"position":3},"title":"ALAIN CARDENAS-CASTRO. COLLAGES, PHOTOS ET LAVIS D\u2019EST EN OUEST.","author":"admin","date":"2026-03-03","format":false,"excerpt":"EXPOSITION \u2013 GALERIE YOUNIQUE, PARIS. FEVRIER-MARS 2026. Compte-rendu par SUN Chengan La Galerie Younique, ouverte en 2005 \u00e0 Paris par Mathias Bloch, encha\u00eene \u00e0 l\u2019Est comme \u00e0 l\u2019Ouest des expositions de groupe et des \u00e9v\u00e9nements individuels. Elle accueille les lavis, les collages et les documents photos d\u2019Alain Cardenas-Castro. Un panorama\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2026\/02\/1772112521143.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3979,"url":"https:\/\/alaincardenas.com\/blog\/juan-manuel-cardenas-castro\/","url_meta":{"origin":8684,"position":4},"title":"Juan Manuel C\u00e1rdenas Castro, peintre indig\u00e9niste","author":"admin","date":"2019-09-19","format":false,"excerpt":"Museo Hist\u00f3rico r\u00e9gional - Casa del Inka Garcilaso de la Vega, Cusco, P\u00e9rou, exposition d'\u0153uvres in\u00e9dites, du 1er au 15 octobre 2019. Annonce d'exposition De temps \u00e0 autre il est opportun de devancer un \u00e9v\u00e9nement. 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L’histoire d’un album inachev\u00e9","author":"admin","date":"2022-11-12","format":false,"excerpt":"par Alain Cardenas-Castro Les al\u00e9as de la bibliophilie n\u2019ont cess\u00e9 de g\u00e9n\u00e9rer et de r\u00e9pandre des surprises au fil du temps, modulant les crit\u00e8res de raret\u00e9 au gr\u00e9 des techniques, des esth\u00e9tiques et des projets qui ont permis de laisser des \u0153uvres toujours aussi s\u00e9duisantes pour le plaisir des jeux\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/11\/01-Pieter_Bruegel_the_Elder_-_The_Tower_of_Babel_Vienna_-_Google_Art_Project_-_edited.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/8684"}],"collection":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/comments?post=8684"}],"version-history":[{"count":4,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/8684\/revisions"}],"predecessor-version":[{"id":8693,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/8684\/revisions\/8693"}],"wp:attachment":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/media?parent=8684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/categories?post=8684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/tags?post=8684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}