{"id":8256,"date":"2024-09-24T18:15:03","date_gmt":"2024-09-24T16:15:03","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=8256"},"modified":"2024-09-24T18:18:13","modified_gmt":"2024-09-24T16:18:13","slug":"a-propos-dune-gravure-sur-bois-le-pommier-poesie-de-zheng-gu","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/a-propos-dune-gravure-sur-bois-le-pommier-poesie-de-zheng-gu\/","title":{"rendered":"A propos d\u2019une gravure sur bois \u00ab\u00a0Le pommier\u00a0\u00bb, \u00a0po\u00e9sie de ZHENG Gu"},"content":{"rendered":"\n<p class=\"has-text-color\" style=\"color:#af2024\"><strong>\u90d1<\/strong><strong>[\u912d]\u8c37\u300a\u6d77\u68e0\u300b<\/strong><\/p>\n\n\n\n<p>par Hu Jiaxing et Christophe Comentale<\/p>\n\n\n\n<p>Une gravure sur bois en couleurs d\u00e9couverte incidemment sur un march\u00e9 parisien de l\u2019ancien est l\u2019occasion de rappeler la pr\u00e9sence s\u00e9culaire de l\u2019art de la gravure sur bois en noir et en couleurs en Chine et ses d\u00e9veloppements importants d\u00e8s les Song (10<sup>e<\/sup>-12<sup>e<\/sup> s.), tandis que ce mode de diffusion des connaissances et d\u2019une esth\u00e9tique du raffinement se g\u00e9n\u00e9ralise sous les dynasties des Ming et des Qing. Cette pr\u00e9sentation sommaire a pour premier but de montrer l\u2019attrait et la compl\u00e9tude d\u2019une \u0153uvre dissoci\u00e9e d\u2019un corpus comme cela appara\u00eet au fil de recueils didactiques comme <em>le Studio des Dix bambous<\/em> ou <em>Le jardin du grain de moutarde<\/em> pour ne rappeler que deux titres d\u00e9sormais connus en Occident pour ces recueils didactiques.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?ssl=1\"><img data-attachment-id=\"8257\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/a-propos-dune-gravure-sur-bois-le-pommier-poesie-de-zheng-gu\/zheng-gu-haitang-gr-bois\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?fit=788%2C600&amp;ssl=1\" data-orig-size=\"788,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.78&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 14 Pro Max&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1724257064&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.86&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ZHENG-Gu-Haitang-gr-bois\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?fit=300%2C228&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?fit=584%2C445&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"584\" height=\"445\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?resize=584%2C445&#038;ssl=1\" alt=\"\" class=\"wp-image-8257\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?w=788&amp;ssl=1 788w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?resize=300%2C228&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?resize=768%2C585&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/ZHENG-Gu-Haitang-gr-bois.jpg?resize=394%2C300&amp;ssl=1 394w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"wp-element-caption\"><em>Le pommier<\/em>, dynastie Ming, ravure sur bois en coul. 24 x 30 cm<br><\/figcaption><\/figure>\n\n\n\n<!--more-->\n\n\n\n<p>La calligraphie traduite en gravure sur bois sur cette image vient d\u2019un po\u00e8me de Zheng Gu \u90d1\u8c37 (ca. 851-910), po\u00e8te moins connu que les grandes figures des Tang. Cette gravure appartenait probablement \u00e0 un recueil reli\u00e9 en reliure \u00e0 ficelle. Le volume qui devait constituer une anthologie de po\u00e9sies, notamment tang a \u00e9t\u00e9 \u00f4t\u00e9 de son recueil d\u2019origine, mis \u00e0 plat et reconditionn\u00e9 en une suite de planches encadr\u00e9es pour leur effet d\u00e9coratif, et, esp\u00e9rons-le, pour l\u2019int\u00e9r\u00eat des po\u00e9sies, comme cela s\u2019est beaucoup fait, et se fait encore en Occident pour la mise en valeur de pi\u00e8ces chinoises&nbsp;! Une permanence de la dualit\u00e9 entre les caract\u00e8res et les traductions graphiques.<\/p>\n\n\n\n<p>\u5b57\u5b88\u611a\uff0c\u6c5f\u897f\u8881\u5dde\uff08\u4eca\u5b9c\u6625\uff09\u4eba\uff0c\u5510\u4ee3\u8a69\u4eba\u3002<\/p>\n\n\n\n<p>\u7236\u912d\u53f2\u70ba\u6c38\u5dde\u523a\u53f2\u3002\u4e03\u6b72\u80fd\u8a69\uff0c\u65e9\u5e74\u96b1\u5c45\u834a\u9580\uff0c\u53d7\u77e5\u65bc\u674e\u670b\u3001\u99ac\u6234\u3001\u53f8\u7a7a\u5716\u3001\u859b\u80fd\u3001\u674e\u983b\u3002\u5ee3\u660e\u5143\u5e74\uff08880\u5e74\uff09\u9ec3\u5de2\u5165\u9577\u5b89\uff0c\u912d\u8c37\u96a8\u5954\u897f\u8700\u3002\u5149\u555f\u4e09\u5e74\uff08887\u5e74\uff09\u9032\u58eb\uff0c\u666f\u798f\u4e8c\u5e74\uff08893\u5e74\uff09\u91cb\u8910\u6388\u4eac\u5146\u9102\uff08\u4eca\u965d\u897f\u6236\u7e23\uff09\u7e23\u5c09\uff0c\u651d\u4eac\u5146\u53c3\u8ecd\u3002\u4e7e\u5be7\u5143\u5e74\u5b98\u53f3\u62fe\u907a\uff0c\u4e7e\u5be7\u4e09\u5e74\u9077\u5b98\u88dc\u95d5\u3002\u662d\u5b97\u907f\u96e3\u83ef\u5dde\uff0c\u912d\u8c37\u4ea6\u8d74\u83ef\u5dde\uff0c\u300c\u5bd3\u5c45\u96f2\u53f0\u9053\u820d\u300d\uff0c\u56e0\u800c\u81ea\u7a31\u8a69\u96c6\u70ba\u300a\u96f2\u53f0\u7de8\u300b\u3002\u4e7e\u5be7\u56db\u5e74\uff08897\u5e74\uff09\u5b98\u81f3\u90fd\u5b98\u90ce\u4e2d\uff0c\u4eba\u7a31\u912d\u90fd\u5b98\u3002\u751f\u9022\u4e82\u4e16\uff0c\u969b\u9047\u574e\u5777\u3002\u665a\u5e74\u6b78\u96b1\u5b9c\u6625\u4ef0\u5c71\u66f8\u5c4b\u3002\u912d\u8c37\u8207\u8a31\u68e0\u3001\u4efb\u6fe4\u7b49\u4e5d\u4eba\u6642\u76f8\u5531\u548c\uff0c\u6642\u7a31\u300c\u82b3\u6797\u5341\u54f2\u300d\uff0c\u300c\u5617\u8ce6\u9dd3\u9d23\uff0c\u8b66\u7d55\u300d\uff0c<a href=\"https:\/\/zh.wikipedia.org\/wiki\/%E9%84%AD%E8%B0%B7#cite_note-4\"><sup>[4]<\/sup><\/a>\u6545\u6709\u300c\u912d\u9dd3\u9d23\u300d\u7684\u7a31\u865f\u3002\u912d\u8c37\u96b1\u5c45\u4ef0\u5c71\uff0c\u6709\u4e00\u8a69\u50e7\u9f4a\u5df1\u4ee5\u4e00\u9996\u300a\u65e9\u6885\u300b\u8a69\u6c42\u6559\uff0c\u912d\u8c37\u5c07\u8a69\u4e2d\u300c\u524d\u6751\u6df1\u96ea\u88e1\uff0c\u6628\u591c\u6578\u679d\u958b\u300d\u7684\u300c\u6578\u679d\u300d\u6539\u70ba\u300c\u4e00\u679d\u300d\uff0c\u9f4a\u5df1\u4e0b\u62dc\uff0c\u7576\u6642\u58eb\u5b50\u53c8\u7a31\u912d\u8c37\u7a31\u70ba\u9f4a\u5df1\u7684\u300c\u4e00\u5b57\u4e4b\u5e2b\u300d\u3002\u5176\u4f5c\u54c1\u6709\u300a\u96f2\u53f0\u7de8\u300b\u4e09\u5377\u3001\u300a\u5b9c\u967d\u96c6\u300b\u4e09\u5377\u4ee5\u53ca\u300a\u570b\u98a8\u6b63\u8a23\u300b\u4e00\u5377\u7b49\u3002<\/p>\n\n\n\n<p>\u6bb5\u6210\u5f0f\u7684\u300a\u9149\u967d\u96dc\u4fce\u300b\u8f09\u300c\u5609\u5dde\u6d77\u68e0\uff0c\u8272\u9999\u4e26\u52dd\u3002\u300d\u5357\u5510\u5f90\u9347\u300a\u65b9\u8f3f\u8a18\u300b\u8f09\uff1a\u300c\u6d77\u68e0\uff0c\u5609\u5dde\u51fa\u8005\u9999\u3002\u300d \u64da\u660e\u4ee3\u300a\u7fa4\u82b3\u8b5c\u300b\u8a18\u8f09\uff1a\u6d77\u68e0\u6709\u56db\u54c1\uff0c\u7686\u6728\u672c\u3002\u5305\u62ec\u897f\u5e9c\u6d77\u68e0\u3001\u5782\u7d72\u6d77\u68e0\u3001\u6728\u74dc\u6d77\u68e0\u548c\u8cbc\u6897\u6d77\u68e0\u3002\u5b6b\u9577\u660e\u7684\u300a\u6d77\u68e0\u8a18\u300b\u8a18\u8f09\u6a02\u5c71\u6d77\u68e0\u7684\u54c1\u7a2e\u548c\u7279\u9ede\uff1a\u300c\u68e0\u6709\u7518\u68e0\u3001\u6c99\u68e0\u3001\u68e0\u68a8\uff0c\u7686\u975e\u6d77\u68e0\u4e5f\u3002\u53c8\u6709\u9ec3\u6d77\u68e0\uff0c\u8272\u9ec3\uff1b\u8cbc\u5e72\u6d77\u68e0\uff0c\u82b1\u5c0f\uff1b\u5782\u7d72\u6d77\u68e0\uff0c\u82b1\u7c89\u7d05\u8272\uff0c\u7686\u7121\u5b50\uff0c\u4ea6\u771f\u6d77\u68e0\u4e5f\u3002\u6d77\u68e0\u76db\u65bc\u8700\u4e2d\uff0c\u4e8c\u6708\u958b\u82b1\uff0c\u4e94\u51fa\uff0c\u521d\u5982\u80ed\u8102\u9ede\u9ede\u71c3\uff0c\u958b\u5247\u6f38\u6210\u7e88\u6688\uff0c\u843d\u5247\u6709\u82e5\u5bbf\u599d\u6de1\u7c89\uff0c\u5176\u8482\u9577\u5bf8\u8a31\uff0c\u6de1\u7d2b\u8272\uff0c\u6216\u4e09\u843c\u4e94\u843c\u6210\u696d\u3002\u5176\u854a\u5982\u91d1\u7c9f\uff0c\u4e2d\u6709\u7d2b\u9808\uff0c\u82b1\u843d\u7d50\u5b50\uff0c\u5982\u68a8\uff0c\u540d\u6d77\u7d05\u3002\u7136\u8700\u4e2d\u4ea6\u70ba\u5609\u5dde\u8005\u6709\u9999\u800c\u6735\u5927\u3002\u300d<\/p>\n\n\n\n<p>\u6d77\u68e0\u591a\u672a\u9999\u5473\uff0c\u77f3\u5d07\u898b\u8457\u6d77\u68e0\uff0c\u5606\u8aaa\uff1a\u300c\u82e5\u4f7f\u6d77\u68e0\u80fd\u9999\uff0c\u7576\u9444\u91d1\u5c4b\u4ee5\u85cf\u3002\u300d\u3002\u5b8b\u671d\u5f6d\u6df5\u6750\u5e73\u751f\u6709\u4e94\u6068\uff1a\u300c\u4e00\u6068\u9c23\u9b5a\u591a\u9aa8\uff08\u523a\uff09\uff0c\u4e8c\u6068\u91d1\u6a58\uff08\u6854\uff09\u592a\u9178\uff0c\u4e09\u6068\u84f4\u83dc\u6027\u51b7\uff0c\u56db\u6068\u6d77\u68e0\u7121\u9999\uff0c\u4e94\u6068\u66fe\u5b50\u56fa\u4e0d\u80fd\u4f5c\u8a69\u3002\u300d\u3002\u5f35\u611b\u73b2\u5728\u300a\u7d05\u6a13\u5922\u9b58\u300b\u63d0\u53ca\u300c\u6d77\u68e0\u7121\u9999\uff0c\u9c23\u9b5a\u591a\u523a\uff0c\u7d05\u6a13\u672a\u5b8c\u300d\uff0c\u4ee5\u6b64\u70ba\u4e09\u5927\u6068\u4e8b\u3002\u90ed\u6cab\u82e5\u300a\u61b6\u5609\u5dde\u300b\u8a69\u7b2c\u4e00\u53e5\uff1a\u300c\u6d77\u68e0\u9999\u570b\u8354\u679d\u7063\uff0c\u8607\u5b50\u7576\u5e74\u5bd3\u6b64\u9593\u300d\u3002<\/p>\n\n\n\n<p><em>Le corpus des livres anciens et modernes<\/em> contient des \u00e9l\u00e9ments relatifs \u00e0 Zheng Gu<em>. <\/em>Pour m\u00e9moire, cette importante encyclop\u00e9die \u2013 en chinois, <em>Gujin tushu jicheng<\/em>&nbsp;(\u53e4\u4eca\u5716\u66f8\u96c6\u6210), ou&nbsp;<em>Qinding Gujin tushu jicheng<\/em>, (la&nbsp;<em>Grande Encyclop\u00e9die imp\u00e9riale illustr\u00e9e des temps pass\u00e9 et pr\u00e9sent<strong>)<\/strong><\/em>,<a> <\/a>reprend de fa\u00e7on assez dense et chronologique, des sources parmi les livres anciens et modernes. La p\u00e9riode couverte va de la&nbsp;dynastie Zhou&nbsp;jusqu&rsquo;au&nbsp;xvii<sup>e<\/sup>&nbsp;si\u00e8cle. La premi\u00e8re version est publi\u00e9e en&nbsp;1726-1728. Il existe des versions en ligne de cet \u00e9norme travail.<\/p>\n\n\n\n<p>L&rsquo;ampleur du travail entrepris est colossale, l\u2019encyclop\u00e9die comprend 10&nbsp;040 chapitres et 5&nbsp;020 fascicules, elle compte quelque cent millions de&nbsp;caract\u00e8res&nbsp;sur 852&nbsp;408 pages. L&rsquo;encyclop\u00e9die est l&rsquo;\u0153uvre de&nbsp;Chen Menglei&nbsp;(Fuzhou, ca 1650&nbsp;\u2013&nbsp;1741), qui en commence la r\u00e9daction en 1706. Selon les \u00e9ditions, en raison de dissensions internes, son nom est parfois absent de l\u2019\u00e9dition officielle et l&rsquo;ouvrage \u00e9tant alors attribu\u00e9 \u00e0 un simple correcteur,&nbsp;Jiang Tingxi.<\/p>\n\n\n\n<p>\u300a\u6b3d\u5b9a\u53e4\u4eca\u5716\u66f8\u96c6\u6210\u00b7\u535a\u7269\u5f59\u7de8\u00b7\u8349\u6728\u5178\u00b7\u6d77\u68e0\u90e8\u300b\uff0c\u51fa\u81ea\u9673\u5922\u96f7\u300a\u53e4\u4eca\u5716\u66f8\u96c6\u6210\u300b<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?ssl=1\"><img data-attachment-id=\"8271\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/a-propos-dune-gravure-sur-bois-le-pommier-poesie-de-zheng-gu\/capture-decran-2024-09-24-a-18-08-12\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?fit=830%2C357&amp;ssl=1\" data-orig-size=\"830,357\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Capture-decran-2024-09-24-a-18.08.12\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?fit=300%2C129&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?fit=584%2C251&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"584\" height=\"251\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?resize=584%2C251&#038;ssl=1\" alt=\"\" class=\"wp-image-8271\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?w=830&amp;ssl=1 830w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?resize=300%2C129&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?resize=768%2C330&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/09\/Capture-decran-2024-09-24-a-18.08.12.jpg?resize=500%2C215&amp;ssl=1 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><\/figure><\/div>\n\n\n<p>Dans cette image, l\u2019artiste a enlev\u00e9 le contenu du milieu, entre parenth\u00e8ses.<\/p>\n\n\n\n<p>La traduction des quatre vers est la suivante en fran\u00e7ais :<\/p>\n\n\n\n<p>\u00ab Le vent printanier cherche \u00e0 rendre les couleurs plus subtiles, invitant \u00e0 vider des coupes et \u00e0 composer des po\u00e8mes.<\/p>\n\n\n\n<p>Enivr\u00e9 \u00e0 l\u2019aube, chantant au cr\u00e9puscule dans une contemplation infinie, j\u2019envie ces papillons qui se reposent sur les branches profondes. \u00bb<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<strong>El\u00e9ments bibliographiques<\/strong> tr\u00e8s succincts<\/h2>\n\n\n\n<p>Outre la r\u00e9f\u00e9rence relative \u00e0 la&nbsp;<em>Grande Encyclop\u00e9die imp\u00e9riale illustr\u00e9e des temps pass\u00e9 et pr\u00e9sent<\/em><strong><em>, <\/em><\/strong>mentionn\u00e9e plus haut, quelques titres rappellent l\u2019ampleur de ce domaine de recherche.<\/p>\n\n\n\n<ul>\n<li>Christophe Comentale, Les techniques de l&rsquo;imprimerie \u00e0 caract\u00e8res mobiles in : Actes du colloque \u00ab\u00a0<em>le livre et l&rsquo;imprimerie en Extr\u00eame-Orient et en Asie du sud<\/em>\u00ab\u00a0, organis\u00e9 par le CNRS, l&rsquo;Institut d&rsquo;Etude du Livre, Minist\u00e8re de la Culture, \u00e0 Paris du 9 au 11 mars 1983. Paris : soci\u00e9t\u00e9 des bibliophiles de Guyenne, 1986. pp. 41-55.<\/li>\n\n\n\n<li>Christophe Comentale, Les estampes chinoises&nbsp;: invention d\u2019une image. Paris&nbsp;: Ed. alternatives, 2003.<\/li>\n\n\n\n<li>HU Jiaxing (Trad.), Zhang Xu et la calligraphie cursive folle. Beijing&nbsp;: Renmin meishu chubanshe, 2023.<\/li>\n\n\n\n<li>HU Jiaxing, Arch\u00e9ologie du geste graphique : Gen\u00e8se, \u00e9volution et syst\u00e9matisation de la pens\u00e9e pictographique en Chine du N\u00e9olithique \u00e0 la dynastie des Tang. Paris&nbsp;: Museum national d\u2019histoire naturelle, 2019. Anthropologie culturelle,&nbsp;sp\u00e9cialis\u00e9 en Anthropologie de l\u2019art de l\u2019\u00e9criture.<\/li>\n\n\n\n<li>HU Jiaxing : La Nature en impression. Ed. Tractions \/ \u00c9cole du Louvre, 2012. Georgette Jaeger,&nbsp;<em>L\u2019Anthologie de Trois Cents Po\u00e8mes de la dynastie des Tang<\/em>, Beijing&nbsp;: soci\u00e9t\u00e9 des \u00e9ditions interculturelles,1987.<\/li>\n\n\n\n<li>XU Yuanzhong, <em>300 po\u00e8mes chinois classiques<\/em>. P\u00e9kin&nbsp;: \u00c9ditions de l&rsquo;Universit\u00e9 de P\u00e9kin, 1999.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u90d1[\u912d]\u8c37\u300a\u6d77\u68e0\u300b par Hu Jiaxing et Christophe Comentale Une gravure sur bois en couleurs d\u00e9couverte incidemment sur un march\u00e9 parisien de l\u2019ancien est l\u2019occasion de rappeler la pr\u00e9sence s\u00e9culaire de l\u2019art de la gravure sur bois en noir et en couleurs &hellip; <a href=\"https:\/\/alaincardenas.com\/blog\/a-propos-dune-gravure-sur-bois-le-pommier-poesie-de-zheng-gu\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[41,1],"tags":[45,32,46],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-29a","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3200,"url":"https:\/\/alaincardenas.com\/blog\/notule-de-fevrier\/","url_meta":{"origin":8256,"position":0},"title":"Notule de f\u00e9vrier","author":"admin","date":"2019-03-01","format":false,"excerpt":"A propos d\u2019une \u0153uvre d\u2019Anne Mandorla, Porte en Chine\u00a0(2018) par Christophe Comentale \u00ab\u00a0Homme craintif, tenant rentes et cens Des Muses, crois, si jamais tu descends Au val de peur, qui hors d'espoir te boute, Mal t'en ira : pour ce \u00e0 moi te consens En d\u00e9chassant crainte, souci et doute\u00a0\u00bb.\u2026","rel":"","context":"Dans &quot;Europe&quot;","block_context":{"text":"Europe","link":"https:\/\/alaincardenas.com\/blog\/category\/europe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/03\/mandorla-ill-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/03\/mandorla-ill-3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/03\/mandorla-ill-3.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":7997,"url":"https:\/\/alaincardenas.com\/blog\/objets-et-collections-5\/","url_meta":{"origin":8256,"position":1},"title":"OBJETS ET COLLECTIONS (5). Une nomination mandarinale (Chine, fin 19e s.)","author":"admin","date":"2024-05-06","format":false,"excerpt":"Gravure sur bois en couleurs, 50,5 x 45 cm. Original peint au lavis sur papier, mont\u00e9 en rouleau apr\u00e8s marouflage. par Christophe Comentale UN DES R\u00d4LES de la gravure sur bois, en particulier de la gravure de Nouvel an chinois, est de comm\u00e9morer les \u00e9v\u00e9nements qui se produisent au fil\u2026","rel":"","context":"Dans &quot;Asie&quot;","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/04\/1-Nomination-manndarinale.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5146,"url":"https:\/\/alaincardenas.com\/blog\/les-uniques-regard-sur-quatre-oeuvres-rares-de-jacqueline-ricard\/","url_meta":{"origin":8256,"position":2},"title":"Les uniques.  Regard sur quatre \u0153uvres rares de Jacqueline Ricard","author":"admin","date":"2020-06-26","format":false,"excerpt":"par Christophe Comentale Peintre, \u00e9ditrice-fondatrice des Editions la Cour pav\u00e9e, amatrice et cr\u00e9atrice de gaufrages uniques, dans la lign\u00e9e d\u2019artistes tels Istv\u00e1n [Etienne] Hajd\u00fa (1907, Turda, Roumanie \u2013 1996, Bourg-la-Reine), Jacqueline Ricard, comme cet a\u00een\u00e9 sculpteur et inventeur de reliefs entre bois et m\u00e9taux, aime la proximit\u00e9 des arbres, celle\u2026","rel":"","context":"Dans &quot;Am\u00e9rique latine&quot;","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/06\/1593072399915blob.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6420,"url":"https:\/\/alaincardenas.com\/blog\/une-revue-singuliere-le-bois-grave-a-lhonneur-dans-le-n-32-mederic-bottin-lhomme-qui-sait-faire-vibrer-le-bois\/","url_meta":{"origin":8256,"position":3},"title":"Une revue singuli\u00e8re Le bois grav\u00e9. A l\u2019honneur dans le n\u00b0 32 M\u00e9d\u00e9ric Bottin, \u00ab\u00a0l\u2019homme qui sait faire vibrer le bois\u00a0\u00bb","author":"admin","date":"2022-07-17","format":false,"excerpt":"La d\u00e9mat\u00e9rialisation des donn\u00e9es savamment entreprise par nos \u00e9diles depuis plusieurs d\u00e9cennies pr\u00e9sente un avantage\u00a0: nous pourrons aller partout les mains vides ou ne plus aller nulle part si l\u2019on continue ainsi, \u2014 tout \u00e9tant virtuel \u2014 cela dit, la situation ne devrait que compliquer davantage le regard sur les\u2026","rel":"","context":"Dans &quot;Asie&quot;","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/07\/MB-ill-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/07\/MB-ill-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/07\/MB-ill-2.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1595,"url":"https:\/\/alaincardenas.com\/blog\/istvan-peto-traces-dessinees-gravees-et-peintures-uniques\/","url_meta":{"origin":8256,"position":4},"title":"Istv\u00e1n Pet\u0151, traces dessin\u00e9es, grav\u00e9es et peintures uniques","author":"admin","date":"2018-04-01","format":false,"excerpt":"par Christophe Comentale et Alain Cardenas-Castro Exposition d\u2019huiles, de dessins et de gravures, du 30 mars au 5 mai 2018.\u00a0Galerie municipale d\u2019art contemporain, Chamali\u00e8res. N\u00e9 en 1955 \u00e0 Mez\u0151k\u00f6vesd, une petite ville de la Hongrie du Nord, Istv\u00e1n Pet\u0151 entreprend durant les ann\u00e9es 80 un cursus \u00e0 l\u2019Ecole des Arts\u2026","rel":"","context":"Dans &quot;Europe&quot;","block_context":{"text":"Europe","link":"https:\/\/alaincardenas.com\/blog\/category\/europe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/mmexport15225717415531-1024x768.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/mmexport15225717415531-1024x768.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/mmexport15225717415531-1024x768.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":5703,"url":"https:\/\/alaincardenas.com\/blog\/a-propos-de\/","url_meta":{"origin":8256,"position":5},"title":"A propos du&#8230; tondo r\u00e9cent de Jacqueline Ricard grav\u00e9 au carborundum","author":"admin","date":"2021-02-05","format":false,"excerpt":"par Christophe Comentale Peintre, \u00e9ditrice-fondatrice des Editions\u00a0la Cour pav\u00e9e en 1997, amatrice et cr\u00e9atrice de gaufrages uniques, les livres d\u2019artiste de Jacqueline Ricard, une cinquantaine \u00e0 ce jour, illustrent des dialogues avec des gens de lettres de tous horizons (Juliet, White,\u2026). Un tondo r\u00e9cent rappelle un int\u00e9r\u00eat profond et r\u00e9current\u2026","rel":"","context":"Dans &quot;Compte-rendu&quot;","block_context":{"text":"Compte-rendu","link":"https:\/\/alaincardenas.com\/blog\/category\/compte-rendu\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2021\/02\/tondi-9-var.-janv-21-BD-965x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2021\/02\/tondi-9-var.-janv-21-BD-965x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2021\/02\/tondi-9-var.-janv-21-BD-965x1024.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/8256"}],"collection":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/comments?post=8256"}],"version-history":[{"count":5,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/8256\/revisions"}],"predecessor-version":[{"id":8274,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/8256\/revisions\/8274"}],"wp:attachment":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/media?parent=8256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/categories?post=8256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/tags?post=8256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}