{"id":8141,"date":"2024-08-23T20:09:44","date_gmt":"2024-08-23T18:09:44","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=8141"},"modified":"2024-08-25T17:28:01","modified_gmt":"2024-08-25T15:28:01","slug":"truong-dinh-hao-un-art-entre-ruralite-et-symbolisme","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/truong-dinh-hao-un-art-entre-ruralite-et-symbolisme\/","title":{"rendered":"TRUONG DINH HAO : UN ART ENTRE RURALITE ET SYMBOLISME"},"content":{"rendered":"\n<p>par Christophe Comentale<\/p>\n\n\n\n<p>Truong Dinh Hao (Hano\u00ef, 1937-2022), dipl\u00f4m\u00e9 de l&rsquo;Universit\u00e9 des Beaux-Arts du Vietnam, Hao s\u2019int\u00e9resse tr\u00e8s t\u00f4t au dessin et d\u00e9veloppe une activit\u00e9 de peintre. Il rejoint en 1982 l&rsquo;Association des Beaux-Arts.<\/p>\n\n\n\n<p>Truong Dinh Hao entretient un lien tr\u00e8s constant, assez naturel avec le th\u00e8me et l\u2019environnement rural. Au fil des ans, l&rsquo;inspiration de l&rsquo;artiste pour la campagne est toujours forte et directe. Cet environnement naturel est \u00e0 port\u00e9e de pinceau et reste ainsi une source d&rsquo;inspiration aux multiples variantes pour son travail.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?ssl=1\"><img data-attachment-id=\"8142\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/truong-dinh-hao-un-art-entre-ruralite-et-symbolisme\/truong-dinh-hao-le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?fit=640%2C476&amp;ssl=1\" data-orig-size=\"640,476\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 13&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1724050119&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.1&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.03030303030303&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?fit=300%2C223&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?fit=584%2C434&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"584\" height=\"434\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?resize=584%2C434&#038;ssl=1\" alt=\"\" class=\"wp-image-8142\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?resize=300%2C223&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-buffle-circa-1990-48-par-66-cm-gouache-sur-papier.jpg?resize=403%2C300&amp;ssl=1 403w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"wp-element-caption\">(ill. 1) Truong Dinh Hao. <em>Le buffle<\/em> (circa 1990), gouache sur papier, 48 x 66 cm (coll.Th\u00e1i San)<\/figcaption><\/figure>\n\n\n\n<!--more-->\n\n\n\n<p>Les sc\u00e8nes d\u00e9velopp\u00e9es au fil de ses peintures renvoient une sensation d\u2019imm\u00e9diatet\u00e9 sur ce pays dont les mutations sociales rapides se r\u00e9percutent aux villages changeants afin de leur inculquer de nouveaux sommets et id\u00e9aux de vie et une vitalit\u00e9 autre, en particulier des peintures comme : <em>Bonheur<\/em>, <em>Famille de poulets<\/em>, <em>Sourire<\/em>, <em>Ami du fermier<\/em>&#8230;<\/p>\n\n\n\n<p>Contrairement \u00e0 l\u2019engouement qui secoue l\u2019art vietnamien depuis \u00e0 peine deux d\u00e9cennies, un art qui privil\u00e9gie des sc\u00e8nes o\u00f9 la somptuosit\u00e9 est bien souvent de mise, des sc\u00e8nes de fleurs et d\u2019oiseaux, de beaut\u00e9s en int\u00e9rieur, l\u2019art de Hao privil\u00e9gie le support de rebut qu\u2019est le papier journal imprim\u00e9. Ce support de qualit\u00e9 m\u00e9diocre constitue un excellent fond sur lequel la couleur impose sa densit\u00e9 et aussi une intensit\u00e9 particuli\u00e8re.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?ssl=1\"><img data-attachment-id=\"8143\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/truong-dinh-hao-un-art-entre-ruralite-et-symbolisme\/truong-dinh-hao-les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?fit=640%2C455&amp;ssl=1\" data-orig-size=\"640,455\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.6&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 13&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1724052155&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;5.1&quot;,&quot;iso&quot;:&quot;320&quot;,&quot;shutter_speed&quot;:&quot;0.02&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?fit=300%2C213&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?fit=584%2C415&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"584\" height=\"415\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?resize=584%2C415&#038;ssl=1\" alt=\"\" class=\"wp-image-8143\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?resize=300%2C213&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Les-acrobates-1990-40-par-57-cm-gouache-sur-papier-journal.jpg?resize=422%2C300&amp;ssl=1 422w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"wp-element-caption\">(ill. 2) Truong Dinh Hao. <em>Les acrobates<\/em> (1990), gouache sur papier journal, 40 x 57 cm (coll.Th\u00e1i San)<\/figcaption><\/figure>\n\n\n\n<p>Avec une palette de couleurs chaudes et douces, auxquelles s\u2019ajoutent parfois des couleurs plus sombres, l&rsquo;artiste traduit les images de personnes et de paysages typiques de la campagne vietnamienne. Cela se retrouve avec <em>Le buffle<\/em> (circa 1990, ill.1) ou <em>Les acrobates<\/em> (1990) (illl.2). <em>Le g\u00e9n\u00e9ral<\/em> (circa 1990, ill.3) est une image qui rappelle le souvenir de la pr\u00e9sence chinoise au Vietnam&nbsp;: le titre de l\u2019\u0153uvre est calligraphi\u00e9 au-dessus de la t\u00eate de l\u2019officier sup\u00e9rieur. La graphie est proche des polices de caract\u00e8res produites par les logiciels actuels, ce qui enl\u00e8ve \u00e0 la calligraphie son c\u00f4t\u00e9 esth\u00e9tique pour la limiter, l\u2019assimiler \u00e0 un r\u00f4le, une fonction plus m\u00e9canique, d\u2019identification. La pr\u00e9sence de la forme f\u00e9minine peut traduire une obsession, un manque, tandis que le heurt des couleurs induit une volont\u00e9 d\u2019ouverture sur une esth\u00e9tique plus contemporaine.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?ssl=1\"><img data-attachment-id=\"8144\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/truong-dinh-hao-un-art-entre-ruralite-et-symbolisme\/truong-dinh-hao-le-generalcirca-1990-40-par-50-cm-gouache-sur-papier\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?fit=607%2C480&amp;ssl=1\" data-orig-size=\"607,480\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?fit=300%2C237&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?fit=584%2C462&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"584\" height=\"462\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?resize=584%2C462&#038;ssl=1\" alt=\"\" class=\"wp-image-8144\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?w=607&amp;ssl=1 607w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?resize=300%2C237&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/08\/Truong-Dinh-Hao-Le-generalcirca-1990-40-par-50-cm-gouache-sur-papier.jpg?resize=379%2C300&amp;ssl=1 379w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"wp-element-caption\">(ill. 3) Truong Dinh Hao, <em>Le ge\u0301ne\u0301ral<\/em> (circa 1990), gouache sur papier, 40 x 50 cm (coll.Th\u00e1i San)<\/figcaption><\/figure>\n\n\n\n<p>Il n\u2019emp\u00eache que, parall\u00e8lement, les \u0153uvres de Hao forment pour l\u2019\u0153il occidental, une sorte de synth\u00e8se entre un primitivisme qui rappelle des artistes proches de la sensibilit\u00e9 de Gauguin, notamment avec des \u0153uvres comme <em>En savoir plus<\/em>, <em>Bijoux<\/em>, <em>Semblable<\/em>, ou une approche symboliste \u00e0 la Jan Toorop (Indes n\u00e9erlandaises, Purworejo, 1858 &#8211;&nbsp;La Haye, 1928), avec <em>R\u00eave<\/em>, <em>C\u00f4te \u00e0 c\u00f4te<\/em>.<\/p>\n\n\n\n<p>A suivre&nbsp;!<\/p>\n\n\n\n<p><strong>PRIX ET DECORATIONS ARTISTIQUES<\/strong><\/p>\n\n\n\n<p>&#8211; M\u00e9daille de bronze \u00e0 l&rsquo;Exposition nationale des beaux-arts en 1990<\/p>\n\n\n\n<p>&#8211; Deuxi\u00e8me prix de la peinture de propagande nationale en 1968<\/p>\n\n\n\n<p>&#8211; M\u00e9daille pour la cause des beaux-arts vietnamiens<\/p>\n\n\n\n<p><strong>BIBLIOGRAPHIE SUCCINCTE<\/strong><\/p>\n\n\n\n<ul>\n<li>Kitty Crowther,&nbsp;<em>Jan Toorop. Le chant du temps<\/em>, Versant Sud, 2016 (pr\u00e9sentation en ligne.<\/li>\n\n\n\n<li>Anne Fort, <em>La peinture vietnamienne au 20\u00e8me si\u00e8cle. <\/em>Conf\u00e9rence par Anne Fort, Conservateur du patrimoine charg\u00e9e du Vi\u00eatnam et de l\u2019Asie centrale. <a href=\"https:\/\/amis-musee-cernuschi.org\/la-peinture-vietnamienne-au-20eme-siecle\/\">La peinture vietnamienne au 20\u00e8me si\u00e8cle &#8211; Soci\u00e9t\u00e9 des amis du mus\u00e9e Cernuschi (amis-musee-cernuschi.org)<\/a><\/li>\n\n\n\n<li>[bonne synth\u00e8se sur la peinture vietnamienne].<\/li>\n\n\n\n<li>Th\u00e1i B\u00e1 V\u00e2n, <em>Contacts de l\u2019art vietnamien contemporain avec l\u2019Occident depuis la fin du XIX<sup>e<\/sup>&nbsp;si\u00e8cle.<\/em>&nbsp;In&nbsp;: E<em>tudes Vietnamiennes<\/em>, 3\/1992.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>par Christophe Comentale Truong Dinh Hao (Hano\u00ef, 1937-2022), dipl\u00f4m\u00e9 de l&rsquo;Universit\u00e9 des Beaux-Arts du Vietnam, Hao s\u2019int\u00e9resse tr\u00e8s t\u00f4t au dessin et d\u00e9veloppe une activit\u00e9 de peintre. Il rejoint en 1982 l&rsquo;Association des Beaux-Arts. Truong Dinh Hao entretient un lien &hellip; <a href=\"https:\/\/alaincardenas.com\/blog\/truong-dinh-hao-un-art-entre-ruralite-et-symbolisme\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[41,1,22],"tags":[45,32,38],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-27j","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7942,"url":"https:\/\/alaincardenas.com\/blog\/archipel-sculptures-et-dessins-de-jean-anguera\/","url_meta":{"origin":8141,"position":0},"title":"ARCHIPEL, sculptures et dessins de Jean Anguera","author":"admin","date":"2024-04-21","format":false,"excerpt":"L\u2019exposition Archipel, mus\u00e9e de la carte \u00e0 jouer et m\u00e9diath\u00e8que d\u2019Issy-les-Moulineaux, du 22 novembre 2023 au 11 f\u00e9vrier 2024. Fils d\u2019un p\u00e8re statisticien chercheur en m\u00e9decine, Jordi Anguera, d\u2019une m\u00e8re sculptrice, Pierrette Gargallo et petit-fils du sculpteur aragonais\u00a0Pablo Gargallo, Jean Anguera (1953, Paris) affirme tr\u00e8s t\u00f4t son go\u00fbt pour le\u2026","rel":"","context":"Dans &quot;Compte-rendu&quot;","block_context":{"text":"Compte-rendu","link":"https:\/\/alaincardenas.com\/blog\/category\/compte-rendu\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1073,"url":"https:\/\/alaincardenas.com\/blog\/des-grandes-expositions-nationales-au-palais-des-beaux-arts-de-pekin\/","url_meta":{"origin":8141,"position":1},"title":"Des grandes expositions nationales au Palais des Beaux-arts de P\u00e9kin","author":"admin","date":"2017-12-29","format":false,"excerpt":"par Christophe Comentale Le sujet revient avec une forte r\u00e9currence, d\u00e9sormais accept\u00e9e, fatidique, \u00a0sous la plume des journalistes occidentaux, d\u00e9sarm\u00e9s, d\u00e9sorient\u00e9s et effarouch\u00e9s, face \u00e0 ce fonctionnement gouvern\u00e9 par une logique non hexagonale : qu\u2019est-ce qu\u2019une \u00ab\u00a0grande exposition\u00a0\u00bb en Chine\u00a0? Est-ce une exposition de prestige, \u00e0 caract\u00e8re international, permettant surtout\u2026","rel":"","context":"Dans &quot;Asie&quot;","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2017\/12\/mmexport1514460233359-237x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2853,"url":"https:\/\/alaincardenas.com\/blog\/notule-relative-a-deux-oeuvres-danna-romanello\/","url_meta":{"origin":8141,"position":2},"title":"Notule relative \u00e0 deux \u0153uvres d\u2019Anna Romanello","author":"admin","date":"2018-12-09","format":false,"excerpt":"par Christophe Comentale et Emmanuel Lincot Une mission de recherche pr\u00e9vue en Italie sur le tout d\u00e9but du premier semestre 2019, notamment \u00e0 Rome et au Vatican, et relative \u00e0 une r\u00e9flexion sur des pi\u00e8ces patrimoniales asiatiques, modernes et contemporaines, est l\u2019occasion de rencontres vari\u00e9es avec des confr\u00e8res des mus\u00e9es\u2026","rel":"","context":"Dans &quot;Europe&quot;","block_context":{"text":"Europe","link":"https:\/\/alaincardenas.com\/blog\/category\/europe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/12\/image001.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4603,"url":"https:\/\/alaincardenas.com\/blog\/a-propos-dun-lavis-de-zhou-qixiang-jouer-avec-les-grues\/","url_meta":{"origin":8141,"position":3},"title":"A propos d&rsquo;un lavis de Zhou Qixiang, Jouer avec les grues.","author":"admin","date":"2020-01-24","format":false,"excerpt":"par Christophe Comentale Durant l\u2019inauguration de son exposition \u00ab\u00a0La vie po\u00e9tique de Zhou Qixiang, peintures et sculptures\u00a0\u00bb, qui a lieu \u00e0 Paris en la mairie du 13e arrondissement, du 20 janvier au 1er f\u00e9vrier 2020, outre les discours du maire du 13e arr. et de Tan Buon Huong, d\u00e9put\u00e9 et\u2026","rel":"","context":"Dans &quot;Asie&quot;","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/01\/FullSizeR_3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/01\/FullSizeR_3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/01\/FullSizeR_3.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/01\/FullSizeR_3.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9084,"url":"https:\/\/alaincardenas.com\/blog\/fauve-ou-cobra-le-peintre-indigeniste-manuel-zapata-orihuela-portraits-dhier-et-de-demain-9\/","url_meta":{"origin":8141,"position":4},"title":"Fauve ou CoBrA ? 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