{"id":7824,"date":"2024-01-30T20:16:43","date_gmt":"2024-01-30T19:16:43","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=7824"},"modified":"2024-01-30T20:16:47","modified_gmt":"2024-01-30T19:16:47","slug":"objets-et-collections-1","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/objets-et-collections-1\/","title":{"rendered":"OBJETS ET COLLECTIONS (1)"},"content":{"rendered":"\n

\u6587\u7269\u4e0e\u6536<\/strong>\u85cf\u54c1\uff08<\/strong>1<\/strong>\uff09<\/strong><\/strong><\/p>\n\n\n\n

2024, fin de l\u2019ann\u00e9e du lapin et d\u00e9but de l\u2019ann\u00e9e du dragon est une ann\u00e9e favorable \u00e0 la mise en ligne de la rubrique Objets et collections. Des objets acquis ou regard\u00e9s, devenus des marqueurs d\u2019un plaisir \u00e9ph\u00e9m\u00e8re ou stabilis\u00e9 dans la continuit\u00e9 du gardiennage affectif, scientifique, passionnel, \u2026 que constitue une collection.<\/p>\n\n\n\n

2024\u5e74\u662f\u5154\u5e74\u7684\u7ed3\u675f\uff0c\u4e5f\u662f\u9f99\u5e74\u7684\u5f00\u59cb\u3002\u4eca\u5e74\u662f\u51fa\u7248\u201c\u6587\u7269\u548c\u6536\u85cf\u54c1<\/a>\u201d\u90e8\u5206\u7684\u597d\u5e74\u5934\u3002\u5728\u672c\u8282\u4e2d\uff0c\u4ecb\u7ecd\u4e86\u83b7\u5f97\u6216\u89c2\u770b\u7684\u4f5c\u54c1\uff0c\u8fd9\u4e9b\u4f5c\u54c1\u5df2\u6210\u4e3a\u60c5\u611f\u3001\u79d1\u5b66\u3001\u70ed\u60c5\u5173\u6ce8\u7b49\u8fde\u7eed\u6027\u4e2d\u77ed\u6682\u6216\u7a33\u5b9a\u5feb\u4e50\u7684\u6807\u5fd7\u3002\u5404\u79cd\u548c\u5404\u4e2a\u65f6\u4ee3\u7684\u539f\u59cb\u9057\u4ea7\u7684\u96c6\u5408\u3002<\/p>\n\n\n\n

\u00c0<\/strong> propos de quatre \u0153uvres urbaines<\/strong><\/p>\n\n\n\n

\u5173\u4e8e\u56db\u4ef6\u63cf\u7ed8\u57ce\u5e02\u666f\u89c2\u7684\u4f5c\u54c1<\/strong><\/strong><\/p>\n\n\n\n

par Christophe Comentale<\/p>\n\n\n\n

Les visites al\u00e9atoires aux march\u00e9s d\u2019ancien et d\u2019occasion continuent de r\u00e9server des surprises. Les jeux de la d\u00e9couverte au fil du hasard s\u2019av\u00e8rent parfois int\u00e9ressants. Ainsi en va-t-il de quatre \u0153uvres, tr\u00e8s diff\u00e9rentes au niveau des localisation, technique utilis\u00e9e et format. Elles ont en commun d\u2019avoir \u00e9t\u00e9 r\u00e9alis\u00e9es entre la fin du XIXe si\u00e8cle et les ann\u00e9e 20 du suivant.<\/p>\n\n\n\n

\u53c2\u89c2\u65e7\u4f5c\u548c\u4e8c\u624b\u4f5c\u54c1\u7684\u5e02\u573a\u7ee7\u7eed\u5e26\u6765\u60ca\u559c\u3002\u8fd9\u4e9b\u8bbf\u95ee\u5c31\u50cf\u4e00\u573a\u6e38\u620f\uff0c\u901a\u8fc7\u673a\u4f1a\u53d1\u73b0\u6e38\u620f\u3002\u8fd9\u4e9b\u53d1\u73b0\u6709\u65f6\u4f1a\u5f88\u6709\u8da3\u3002\u672c\u6587\u4ecb\u7ecd\u7684\u56db\u90e8\u4f5c\u54c1\u5c31\u662f\u8fd9\u79cd\u60c5\u51b5\uff0c\u5b83\u4eec\u5728\u5730\u70b9\u3001\u4f7f\u7528\u7684\u6280\u672f\u548c\u683c\u5f0f\u65b9\u9762\u90fd\u662f\u622a\u7136\u4e0d\u540c\u7684\u4f5c\u54c1\u3002\u5b83\u4eec\u7684\u5171\u540c\u70b9\u662f\u5b83\u4eec\u662f\u5728 19 \u4e16\u7eaa\u672b\u548c\u6b21\u5e74 1920 \u5e74\u4ee3\u4e4b\u95f4\u5236\u9020\u7684\u3002<\/p>\n\n\n\n\n\n\n\n

\u25cf   <\/a> Alfred Georges Ho\u00ebn<\/p>\n\n\n\n

 Alfred Georges Ho\u00ebn (1869-1954) est n\u00e9 \u00e0 Bar-le-Duc, il s\u2019illustre comme peintre de portrait et de sujet. El\u00e8ve de Jean-L\u00e9on G\u00e9r\u00f4me (1824-1904), il expose au Salon des Artistes Fran\u00e7ais. Il a fait une importante partie de sa carri\u00e8re aux Etats-Unis d\u2019Am\u00e9rique o\u00f9 ses \u0153uvres sont encore assez recherch\u00e9es des collectionneurs qui appr\u00e9cient cette mani\u00e8re de peindre fin de si\u00e8cle<\/em>.<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Georges Ho\u00ebn (1869-1954), Nontron<\/em> (1943), huile sur carton, 18 \/ 17,5 x 14 cm. Le verso contient diff\u00e9rents \u00e9l\u00e9ments, dont la localisation, la date, le monogramme simplifi\u00e9, \u00ab h \u00bb, du nom. On trouve sur d\u2019autres \u0153uvres la signature compl\u00e8te.<\/p>\n\n\n\n

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Nontron<\/strong> est une commune fran\u00e7aise situ\u00e9e dans le d\u00e9partement de la Dordogne, en r\u00e9gion Aquitaine-Limousin-Poitou-Charentes. Chef-lieu du canton de Nontron de 1790 \u00e0 2015 et de l’arrondissement de Nontron, c’est l’une des trois sous-pr\u00e9fectures du d\u00e9partement. Depuis 2015, la commune est devenue le bureau centralisateur du canton du P\u00e9rigord vert nontronnais. Elle est int\u00e9gr\u00e9e au parc naturel r\u00e9gional P\u00e9rigord-Limousin<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

(signature prise sur une \u0153uvre de personnage).<\/p>\n\n\n\n

\u55ac\u6cbb\u00b7\u970d\u6069\uff081869-1954\uff09\u5102\u5b50 \uff081943\uff09\u7d19\u677f\u6cb9\u756b\uff0c18 \/ 17.5 x 14 cm \u80cc\u9762\u5305\u542b\u5404\u7a2e\u5143\u7d20\uff0c\u5305\u62ec\u540d\u7a31\u7684\u4f4d\u7f6e\u3001\u65e5\u671f\u3001\u7c21\u5316\u5b57\u6bcd\u7d44\u5408\u201ch\u201d\u3002\u963f\u723e\u5f17\u96f7\u5fb7\u00b7\u55ac\u6cbb\u00b7\u970d\u6069\uff08Alfred Georges Ho\u00ebn\uff0c1869-1954\uff09\u51fa\u751f\u65bcBar-le-Duc\uff0c\u4ee5\u8096\u50cf\u756b\u5bb6\u548c\u4e3b\u984c\u756b\u5bb6\u800c\u805e\u540d\uff0c\u662fG\u00e9r\u00f4me\u7684\u5b78\u751f\uff0c\u4ed6\u5728\u6cd5\u570b\u85dd\u8853\u5bb6\u6c99\u9f8d\u5c55\u51fa\u3002\u4ed6\u5728\u7f8e\u570b\u5ea6\u904e\u4e86\u4ed6\u8077\u696d\u751f\u6daf\u7684\u4e00\u90e8\u5206\u3002<\/p>\n\n\n\n

Nontron<\/strong> \u662f\u6cd5\u570b\u897f\u5357\u90e8\u591a\u723e\u591a\u6d85\u7701\u7684\u4e00\u500b\u516c\u793e\u3002\u5f9e1790\u5e74\u52302015\u5e74\uff0c\u5b83\u662fNontron\u5dde\u548cNontron\u5340\u7684\u9996\u5e9c\uff0c\u662f\u8a72\u7701\u7684\u4e09\u500b\u7e23\u4e4b\u4e00\u3002\u81ea 2015 \u5e74\u4ee5\u4f86\uff0c\u8a72\u516c\u793e\u5df2\u6210\u70ba P\u00e9rigord Vert Nontronnais \u5dde\u7684\u4e2d\u592e\u8fa6\u516c\u5ba4\u3002\u5b83\u662f\u4f69\u91cc\u6208\u723e-\u5229\u7a46\u8b9a\u5730\u5340\u81ea\u7136\u516c\u5712\u7684\u4e00\u90e8\u5206<\/p>\n\n\n\n

\u25cf   Paul Froment<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n
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Paul Froment, Forain \u00e0 la brouette<\/em> (1899), huile sur toile, 43 x 73 cm. Cachet de l\u2019atelier de l\u2019artiste sur le ch\u00e2ssis. \u675c\u862d\u5fb7-\u5854\u5e0c\u723e\u00b7\u5e0c\u6ce2\u5442\u7279\uff081863-1899\uff09\u4f5c\u5bb6 \u2013 \u756b\u5bb6 \u4ed6\u4ee5\u7b46\u540d\u4fdd\u7f85\u00b7\u5f17\u7f85\u9580\u7279\uff08Paul Froment\uff09\u4f5c\u756b\u3002<\/p>\n\n\n\n

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Durand-Tahier, Hippolyte (1863-1899), homme de lettres et peintre, a peint sous le pseudonyme de Paul Froment. N\u00e9 \u00e0 Saint-Nazaire (Loire-Atlantique) le 14 ao\u00fbt 1863, il est le fils de Hippolyte-Joseph Durand, m\u00e9decin, qui fut \u00e9l\u00e8ve du coll\u00e8ge royal \u00e0 l\u2019\u00e9poque de Jules Verne. Lui-m\u00eame est au lyc\u00e9e le condisciple d\u2019Aristide Briand en classe de 3\u00e8me en 1877-1878.<\/p>\n\n\n\n

Licenci\u00e9 en droit, il collabore au Courrier de Saint-Nazaire<\/em> et \u00e0 la D\u00e9mocratie de l\u2019Ouest<\/em>. Employ\u00e9 au minist\u00e8re des Beaux-Arts en 1888, il est, de 1890 \u00e0 1899, secr\u00e9taire g\u00e9n\u00e9ral de la Soci\u00e9t\u00e9 nationale des beaux-arts, pr\u00e9sid\u00e9e par Meissonier puis par Puvis de Chavannes.<\/p>\n\n\n\n

Il succ\u00e8de \u00e0 Charles Le Goffic, son condisciple du lyc\u00e9e, comme secr\u00e9taire g\u00e9n\u00e9ral de l\u2019Association des Bretons de Paris. Il s\u2019adonne \u00e0 la po\u00e9sie et, \u00e0 partir de 1897, \u00e0 la peinture, sous le nom de Paul Froment. Une de ses toiles est au mus\u00e9e du Havre.<\/p>\n\n\n\n

\u4ed6\u65bc 1863 \u5e74 8 \u6708 14 \u65e5\u51fa\u751f\u65bc\u8056\u7d0d\u6fa4\u723e\uff08\u76e7\u74e6\u723e\u6cb3-\u5927\u897f\u6d0b\uff09\uff0c\u662f\u91ab\u751f\u5e0c\u6ce2\u5442\u7279-\u7d04\u745f\u592b\u00b7\u675c\u862d\u5fb7\u7684\u5152\u5b50\uff0c\u4ed6\u662f\u5112\u52d2\u00b7\u51e1\u723e\u7d0d\u6642\u671f\u7687\u5bb6\u5b78\u9662\u7684\u5b78\u751f\u3002<\/p>\n\n\n\n

\u4ed6\u672c\u4eba\u662f\u963f\u88e1\u65af\u8482\u5fb7\u00b7\u5e03\u91cc\u5b89\u5fb7\uff08Aristide Briand\uff09\u57281877-1878\u5e74\u4e09\u5e74\u7d1a\u7684\u540c\u5b78\u3002<\/p>\n\n\n\n

\u4ed6\u64c1\u6709\u6cd5\u5f8b\u5b78\u4f4d\uff0c\u662f Courrier de Saint-Nazaire<\/em> \u548c La D<\/em>\u00e9<\/em>mocratie de l’Ouest<\/em> \u7684\u64b0\u7a3f\u4eba\u3002\u4ed6\u65bc1888\u5e74\u53d7\u96c7\u65bc\u7f8e\u8853\u90e8\uff0c1890\u5e74\u81f31899\u5e74\u64d4\u4efb\u6cd5\u570b\u570b\u7acb\u7f8e\u8853\u5354\u6703\u79d8\u66f8\u9577<\/p>\n\n\n\n

\u5c55\u51fa\u7684\u85dd\u8853\u54c1\u4f86\u81ea\u79c1\u4eba\u6536\u85cf\u3002\u9019\u662f 19 \u4e16\u7d00\u672b\u5728\u756b\u5e03\u4e0a\u7e6a\u88fd\u7684\u6cb9\u756b\u7684\u7368\u7279\u7248\u672c\u3002 \u6cd5\u570b\u5404\u5bb6\u535a\u7269\u9928\u90fd\u80fd\u5920\u7372\u5f97\u9019\u4f4d\u756b\u5bb6\u7684\u4f5c\u54c1\uff0c\u4ed6\u8207\u7576\u6642\u7684\u98a8\u666f\u756b\u5bb6\u64e6\u80a9\u800c\u904e<\/p>\n\n\n\n

\u25cf    Antonio Carbonati (1893, Mantoue \u2013 1956, Rome), peintre et graveur en taille douce. N\u00e9 au sein d\u2019une famille de commer\u00e7ants, il obtient d\u2019abord un dipl\u00f4me de comptable en 1911, entre dans un d\u00e9partement de l\u2019administration provinciale de Mantoue qu\u2019il quitte au bout de quatre mois pour se consacrer \u00e0 sa cr\u00e9ation. D\u00e9cision qui est prise avec l\u2019obtention d\u2019une bourse d\u2019\u00e9tude lui permettant de s\u2019inscrire aux cours de peinture de l\u2019Acad\u00e9mie des Beaux-arts de V\u00e9rone. Apr\u00e8s \u00eatre pass\u00e9 aux Beaux-arts de Venise, il rejoint ensuite l\u2019atelier de Giulio Aristide Sartorio (1860-1932, Rome), artiste avec lequel il collabore \u00e0 une fresque r\u00e9alis\u00e9e au palais Montecitorio, o\u00f9 se trouvent la Chambre des d\u00e9put\u00e9s de la R\u00e9publique italienne et le Parlement en session conjointe. Il encha\u00eene ensuite une carri\u00e8re favorable \u00e0 la promotion de sa cr\u00e9ation en Italie : en 1914 \u00e0 l\u2019Acad\u00e9mie des Beaux-arts de Brera \u00e0 Milan, \u00e0 Rome o\u00f9 il s\u2019\u00e9tablit ensuite, r\u00e9alisant 30 vues de la ville \u00e0 l\u2019eau-forte entre 1916 et 1919 (dont les deux pi\u00e8ces reproduites).<\/p>\n\n\n\n

\u5b89\u4e1c\u5c3c\u5965\u00b7\u5361\u535a\u7eb3\u8482\uff08Antonio Carbonati\uff0c1893\u5e74\uff0c\u66fc\u56fe\u4e9a-1956\u5e74\uff0c\u7f57\u9a6c\uff09\uff0c\u51f9\u7248\u753b\u5bb6\u548c\u96d5\u523b\u5e08\uff08\u5c24\u5176\u662f\u8680\u523b\uff09\u3002\u4ed6\u51fa\u751f\u4e8e\u4e00\u4e2a\u5546\u4eba\u5bb6\u5ead\uff0c\u4e8e1911\u5e74\u9996\u6b21\u83b7\u5f97\u4f1a\u8ba1\u6587\u51ed\uff0c\u8fdb\u5165\u66fc\u56fe\u4e9a\u7701\u653f\u5e9c\u7684\u4e00\u4e2a\u90e8\u95e8\uff0c\u56db\u4e2a\u6708\u540e\u4ed6\u79bb\u5f00\u4e86\u8be5\u90e8\u95e8\uff0c\u81f4\u529b\u4e8e\u5176\u521b\u5efa\u3002\u8fd9\u4e00\u51b3\u5b9a\u662f\u901a\u8fc7\u6388\u4e88\u5956\u5b66\u91d1\u505a\u51fa\u7684\uff0c\u8be5\u5956\u5b66\u91d1\u4f7f\u4ed6\u80fd\u591f\u53c2\u52a0\u7ef4\u7f57\u7eb3\u7f8e\u672f\u5b66\u9662\u7684\u7ed8\u753b\u8bfe\u7a0b\u3002\u5728\u5a01\u5c3c\u65af\u7f8e\u672f\u5b66\u9662\u5b66\u4e60\u540e\uff0c\u4ed6\u52a0\u5165\u4e86\u6731\u5229\u5965\u00b7\u963f\u91cc\u65af\u8482\u5fb7\u00b7\u8428\u6258\u91cc\u5965\uff08Giulio Aristide Sartorio\uff0c1860-1932 \u5e74\uff0c\u7f57\u9a6c\uff09\u7684\u5de5\u4f5c\u5ba4\uff0c\u4ed6\u662f\u4e00\u4f4d\u827a\u672f\u5bb6\uff0c\u4e24\u4eba\u5408\u4f5c\u521b\u4f5c\u4e86\u8499\u7279\u897f\u6258\u91cc\u5965\u5bab\u7684\u58c1\u753b\uff0c\u610f\u5927\u5229\u5171\u548c\u56fd\u4f17\u8bae\u9662\u548c\u8bae\u4f1a\u8054\u5e2d\u4f1a\u8bae \u30021914 \u5e74\uff0c\u4ed6\u7ee7\u7eed\u5728\u610f\u5927\u5229\u5c55\u793a\u81ea\u5df1\u7684\u521b\u4f5c\uff0c\u5728\u7c73\u5170\u7684\u5e03\u96f7\u62c9\u7f8e\u672f\u5b66\u9662\uff0c\u7136\u540e\u4ed6\u5b9a\u5c45\u5728\u90a3\u91cc\uff0c\u521b\u4f5c\u4e86 30 \u5e45\u57ce\u5e02\u666f\u89c2<\/p>\n\n\n\n

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\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n
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Ci-dessus, de gauche \u00e0 droite : Antonio Carbonati, vues de Rome, eau-forte. Pont  Saint Ange ou Aelius<\/em> (1912), Corso Vittorio Emanuele<\/em> (1917). Le pont \u00c6lius, aujourd\u2019hui Pont Saint-Ange, a \u00e9t\u00e9 construit en 134 durant le r\u00e8gne de l\u2019empereur Hadrien pour relier \u00e0 la rive gauche du Tibre \u00e0 son propre mausol\u00e9e \/ \u5b89\u4e1c\u5c3c\u5965\u00b7\u5361\u535a\u7eb3\u8482\uff08Antonio Carbonati\uff09\uff0c\u7f57\u9a6c\u666f\u89c2\uff0c\u8680\u523b Ponte Sant’Angelo or Aelius \uff081912\uff09\uff0c Corso Vittorio Emanuele \uff081917\uff09; Lancellotti Arturo, La Roma moderna vista da un acquafortista italiano. (Antonio Carbonati),<\/em> In : Emporium, <\/em>1918, vol. XLVII, 279, pp. 155-164, 1918<\/p>\n\n\n\n

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Durant son s\u00e9jour parisien de 1919, Antonio Carbonati voit ses gravures expos\u00e9es au mus\u00e9e Carnavalet. De nombreuses \u0153uvres sont ensuite expos\u00e9es un peu partout \u00e0 travers le monde, Los Angeles, Madrid, Paris, \u2026 et en Italie.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u6587\u7269\u4e0e\u6536\u85cf\u54c1\uff081\uff09 2024, fin de l\u2019ann\u00e9e du lapin et d\u00e9but de l\u2019ann\u00e9e du dragon est une ann\u00e9e favorable \u00e0 la mise en ligne de la rubrique Objets et collections. Des objets acquis ou regard\u00e9s, devenus des marqueurs d\u2019un plaisir \u00e9ph\u00e9m\u00e8re ou … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[42,1],"tags":[45,33],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-22c","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8102,"url":"https:\/\/alaincardenas.com\/blog\/objets-et-collections-6\/","url_meta":{"origin":7824,"position":0},"title":"OBJETS ET COLLECTIONS (6). A propos d\u2019une d\u00e9couverte r\u00e9cente\u00a0: une huile sur panneau de Michaut","author":"admin","date":"2024-07-31","format":false,"excerpt":"\u5173\u4e8e\u6700\u8fd1\u7684\u53d1\u73b0\uff1a\u7c73\u8096\u7684\u6cb9\u753b \u5173\u4e8e\u5386\u53f2\u5bf9\u7f8e\u672f\u7684\u5f71\u54cd par Christophe Comentale \u8be5\u7f51\u7ad9\u5df2\u8fdb\u5165\u7b2c 8 \u4e2a\u5e74\u5934\u3002\u53d1\u8868\u6587\u7ae0250\u4f59\u7bc7\u3002\u6570\u4ee5\u4e07\u8ba1\u7684\u7528\u6237\u3002\u8fd9\u4e2a\u6c89\u9ed8\u7684\u7f51\u7ad9\uff0c\u4f46\u5145\u6ee1\u4e86\u6211\u4eec\u4f20\u64ad\u77e5\u8bc6\u7684\u613f\u671b\u6240\u9009\u62e9\u7684\u56fe\u50cf\u548c\u5185\u5bb9\uff0c\u5e94\u8be5\u88ab\u89c6\u4e3a\u7b26\u5408\u56fd\u5bb6\u5229\u76ca......\u7531\u4e8e\u6211\u4eec\u5f88\u4e50\u89c2\uff0c\u8ba9\u6211\u4eec\u770b\u770b\u6587\u5316\u90e8\u8fd9\u8fb9\u7684\u60c5\u51b5\u5c06\u5982\u4f55\u53d1\u5c55. \u795d\u60a8\u9605\u8bfb\u6109\u5feb\uff0c\u8fd9\u6b21\u662f\u6cd5\u8bed\u6216\u4e2d\u6587\u3002\u521b\u59cb\u4eba\uff1a\u963f\u5170\u00b7\u5361\u5fb7\u7eb3\u65af-\u5361\u65af\u7279\u7f57\u548c\u514b\u91cc\u65af\u6258\u592b\u00b7\u67ef\u5b5f\u5fb7. Le site en est \u00e0 sa 8e ann\u00e9e d'existence. Plus de 250 articles publi\u00e9s. Des dizaines de milliers d'utilisateurs. Site muet mais nourri d'images et de contenus choisis par notre volont\u00e9 de diffuser des connaissances, devrait \u00eatre jug\u00e9 d'int\u00e9r\u00eat national... Comme\u2026","rel":"","context":"Dans "Europe"","block_context":{"text":"Europe","link":"https:\/\/alaincardenas.com\/blog\/category\/europe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/07\/michaut-larcher-a-lentrainement-b.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/07\/michaut-larcher-a-lentrainement-b.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/07\/michaut-larcher-a-lentrainement-b.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2024\/07\/michaut-larcher-a-lentrainement-b.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1965,"url":"https:\/\/alaincardenas.com\/blog\/le-musee-chinois-du-quotidien\/","url_meta":{"origin":7824,"position":1},"title":"Le Mus\u00e9e chinois du quotidien","author":"admin","date":"2018-05-06","format":false,"excerpt":"Le fonds Fran\u00e7ois Dautresme, collectionneur, photographe et marchand du quotidien chinois. par Christophe Comentale Inauguration le 11 juillet 2018 \u00e0 19h au centre culturel OMDP de Lod\u00e8ve. \u00ab\u00a0Il ne viendrait pas \u00e0 l'id\u00e9e d'un Chinois de fabriquer quelque chose de laid.\u00a0Pour lui un objet beau \u00e9tant un objet bien fabriqu\u00e9,\u2026","rel":"","context":"Dans "Asie"","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1421,"url":"https:\/\/alaincardenas.com\/blog\/pierres-a-encre-et-tresors-de-lettres-la-collection-yang-ermin\/","url_meta":{"origin":7824,"position":2},"title":"Pierres \u00e0 encre et tr\u00e9sors de lettr\u00e9s, la collection YANG Ermin","author":"admin","date":"2018-02-21","format":false,"excerpt":"\u77f3\u95f4\u8bb0\u5fc6 \u2014 \u6768\u4f74\u65fb\u5386\u4ee3\u781a\u53f0\u6536\u85cf\u5c55 Mus\u00e9e municipal des arts asiatiques de Toulon Exposition du 12 avril au 30 septembre 2018, le mus\u00e9e des arts asiatiques de Toulon pr\u00e9sente un floril\u00e8ge de soixante pierres \u00e0 encre et d\u2019autant d\u2019objets de lettr\u00e9s chinois. Cet ensemble provient de la collection YANG Ermin et de diverses\u2026","rel":"","context":"Dans "Asie"","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/02\/affiche-titre-chinois.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/02\/affiche-titre-chinois.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/02\/affiche-titre-chinois.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/02\/affiche-titre-chinois.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4393,"url":"https:\/\/alaincardenas.com\/blog\/parution-du-catalogue-de-lexposition-du-livre-darcheologie-au-livre-dartiste-est-ouest\/","url_meta":{"origin":7824,"position":3},"title":"PARUTION","author":"admin","date":"2019-11-17","format":false,"excerpt":"par Christophe Comentale et\u00a0Alain Cardenas-Castro Un texte qui date d\u00e9j\u00e0, Pour une nouvelle bibliophilie, texte que j\u2019avais r\u00e9dig\u00e9 en 1991 pour la revue AML, me faisait (me) poser la question de la n\u00e9cessit\u00e9 de certains formalismes, de leur persistance \u00e9trange,\u2026 Cette id\u00e9e, depuis les ann\u00e9es 90 nous a sembl\u00e9 devoir\u2026","rel":"","context":"Dans "Asie"","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/11\/page-de-titre.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/11\/page-de-titre.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/11\/page-de-titre.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/11\/page-de-titre.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/11\/page-de-titre.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":9336,"url":"https:\/\/alaincardenas.com\/blog\/pour-une-nouvelle-figuration-libre-georges-ouchot-suiveur-de-kees-van-dongen\/","url_meta":{"origin":7824,"position":4},"title":"POUR UNE NOUVELLE FIGURATION LIBRE : GEORGES OUCHOT, SUIVEUR DE KEES VAN DONGEN","author":"admin","date":"2026-01-09","format":false,"excerpt":"par Christophe Comentale \u4e3a\u4e86\u65b0\u7684\u81ea\u7531\u8868\u73b0\uff1a\u4e54\u6cbb\u00b7\u4e4c\u8096\uff0c\u51ef\u65af\u00b7\u8303\u00b7\u4e1c\u6839\u7684\u8ffd\u968f\u8005\u4f5c\u8005\uff1a\u67ef \u5b5f\u5fb7 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u300c\u2026\u2026\u4ee5\u73b0\u72b6\u5448\u73b0\u65e5\u5e38\u751f\u6d3b\uff0c\u5728\u60c5\u8282\u3001\u73b0\u5b9e\u4e0e\u7eaa\u5f55\u7247\u4e4b\u95f4\u91c7\u53d6\u4e2d\u95f4\u7acb\u573a\u2026\u2026\u300d\u3002\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u963f\u5c14\u8d1d\u6258\u00b7\u83ab\u62c9\u7ef4\u4e9a\uff0c\u300a\u6545\u4e8b\u96c6\u300b\uff0c\u7c73\u5170\uff1a\u90a6\u76ae\u4e9a\u5c3c\u51fa\u7248\u793e\uff0c1952\u5e74\u3002\u4e0e\u4e0a\u8ff0\u65b0\u73b0\u5b9e\u4e3b\u4e49\u7684\u5b9a\u4e49\u76f8\u6bd4\uff0c\u8981\u5bf9\u81ea\u7531\u9020\u578b\u7ed9\u4e88\u4e00\u4e2a\u7cbe\u786e\u800c\u7565\u663e\u8be6\u5c3d\u7684\u5b9a\u4e49\u5e76\u975e\u6613\u4e8b\uff0c\u751a\u81f3\u51e0\u4e4e\u4e0d\u53ef\u80fd\u3002\u65e2\u7136\u201c\u4e0d\u53ef\u80fd\u201d\u4e0d\u662f\u6cd5\u8bed\u4e2d\u7684\u6982\u5ff5\uff0c\u672c\u7814\u7a76\u4fbf\u6e90\u4e8e\u4e0e\u4f5c\u54c1\u7684\u63a5\u89e6\uff0c\u8fd9\u4e9b\u4f5c\u54c1\u662f\u5728\u5df4\u9ece\u827a\u672f\u5e02\u573a\u4e0a\u53d1\u73b0\u7684G. Ouchot\u7684\u516d\u4ef6\u4f5c\u54c1\uff0c\u5176\u4e2d\u4e00\u4ef6\u5df2\u88ab\u535a\u7269\u9986\u6536\u85cf\u3002\u81f3\u4e8e\u5176\u4ed6\u4f5c\u54c1\uff0c\u4e00\u4f4d\u4e0e\u753b\u5bb6\u5173\u7cfb\u5bc6\u5207\u7684\u6536\u85cf\u5bb6\u5e2e\u52a9\u6211\u4eec\u66f4\u591a\u5730\u4e86\u89e3\u4e86\u8fd9\u4f4d\u4ecd\u4e0d\u4e3a\u4eba\u6240\u719f\u77e5\u7684\u827a\u672f\u5bb6\u3002\u827a\u672f\u53f2\u7684\u4e00\u4e2a\u4f5c\u7528\u5728\u6b64\u60c5\u5883\u4e0b\u4ecd\u7136\u662f\uff0c\u8fd9\u79cd\u8d85\u8d8a\u65f6\u95f4\u7684\u529b\u91cf\uff0c\u6216\u65e9\u6216\u665a\uff0c\u4f1a\u4f7f\u90a3\u4e9b\u5728\u65f6\u95f4\u7684\u6d41\u901d\u4e2d\u4f3c\u4e4e\u5f88\u5feb\u88ab\u9057\u5fd8\u7684\u827a\u672f\u5bb6\u4f5c\u54c1\u91cd\u65b0\u6d6e\u73b0\u3002\u56fd\u9645\u65b0\u73b0\u5b9e\u4e3b\u4e49\u8fd8\u662f\u81ea\u7531\u9020\u578b\uff1f Ci-dessus, de gauche \u00e0 droite. G. Ouchot. (ill. 10), Trois personnages ; Piero della Francesca, La Flagellation du Christ (ca1445 -\u00a01450), tempera sur bois de peuplier, 59 x 81,3 cm, Palais ducal d'Urbino, Italie \u4e0e\u5386\u53f2\u76f8\u5173\u7684\u751f\u5e73\u5143\u7d20 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