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<\/a><\/p>\nLa couverture\u00a0est r\u00e9alis\u00e9e en xylogravure sur papier velours\u00a0; quant \u00e0 l\u2019int\u00e9rieur, il s\u2019agit d\u2019un technique m\u00ealant aquatinte et eau-forte sur papier BFK Rives 250 g\/m2<\/sup>. Format\u00a0pli\u00e9\u00a0: 8,5 x 11,7 cm. D\u00e9pli\u00e9e, la feuille donne un nombre variable de carr\u00e9s qui livrent le joueur \u00e0 un face \u00e0 face avec des \u00eatres n\u00e9s de ces amoncellements humains surgis dans les \u0153uvres pari\u00e9tales et dont les anc\u00eatres peuplent autant l\u2019approche de Jan Van Eyck (vers\u00a01390, Maaseik\u00a0\u2013 1441, Bruges), Jean Mignon (actif entre 1535 et 1555), Juste de Juste (1505-1559, Tours), sans oublier, peut-\u00eatre les jeux des poly\u00e8dres de Dubuffet (1901, Le Havre \u2013 1985,Paris) qui d\u00e9fient le r\u00e9el\u00a0\u2026<\/p>\nCe diaporama n\u00e9cessite JavaScript.<\/p>
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Italo Calvino, L\u2019inferno dei viventi<\/em>, xylogravures, aquatintes et eaux-fortes d\u2019Alice Amoroso. Paris : chez l\u2019artiste, 2021. 13 ex. Format\u00a0pli\u00e9\u00a0: 8,5 x 11,7 cm,130 \u20ac.<\/p>\n","protected":false},"excerpt":{"rendered":"par Alain Cardenas-Castro et Christophe Comentale \u00ab L\u2019enfer des vivants n\u2019est pas quelque chose qui sera ; s\u2019il y en a un, c\u2019est celui qui est d\u00e9j\u00e0 l\u00e0, l\u2019enfer que nous habitons tous les jours, que nous formons en \u00e9tant … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[42,1,22],"tags":[8,9],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-1yk","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":4442,"url":"https:\/\/alaincardenas.com\/blog\/marc-brunier-mestas-graveur-etres-hybrides-et-succubes-essai-de-typologie\/","url_meta":{"origin":5972,"position":0},"title":"Marc Brunier-Mestas, graveur. \u00catres hybrides et succubes\u00a0: essai de typologie.","author":"admin","date":"2019-12-01","format":false,"excerpt":"par Christophe Comentale En marge En marge d\u2019un portrait \u00e0 para\u00eetre en 2020 dans la revue bimestrielle Art et m\u00e9tiers du livre, et afin d\u2019accompagner une journ\u00e9e de recherches au Mus\u00e9e chinois du quotidien sur les formes \u00e9tranges et les \u00eatres hybrides, quelques cr\u00e9ations de Marc Brunier-Mestas li\u00e9es \u00e0 ce\u2026","rel":"","context":"Dans "Europe"","block_context":{"text":"Europe","link":"https:\/\/alaincardenas.com\/blog\/category\/europe\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/12\/linos-sur-fen\u00c3\u00aatre-bd-851x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/12\/linos-sur-fen\u00c3\u00aatre-bd-851x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/12\/linos-sur-fen\u00c3\u00aatre-bd-851x1024.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":5118,"url":"https:\/\/alaincardenas.com\/blog\/portraits-dhier-et-de-demain-3-de-la-peinture-murale-peruvienne-a-propos-de-deux-oeuvres-tadeo-escalante-muraliste-du-sud-andin-1\/","url_meta":{"origin":5972,"position":1},"title":"Portraits d\u2019hier et de demain (3) De la peinture murale p\u00e9ruvienne : \u00c0 propos de deux \u0153uvres de Tadeo Escalante, muraliste du Sud-andin (1)","author":"admin","date":"2020-06-27","format":false,"excerpt":"Rapport\u00a0succinct d'une mission de recherche men\u00e9e en octobre 2019 dans la r\u00e9gion de Cuzco. Durant ce s\u00e9jour de recherche, l'auteur a pu fournir un ensemble de photographies in\u00e9dites. L'acc\u00e8s parfois difficile aux lieux n'a pas pu permettre une qualit\u00e9 toujours identique de ces documents. Ils sont compl\u00e9t\u00e9s par une iconographie\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/06\/05-DSC_4090.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5485,"url":"https:\/\/alaincardenas.com\/blog\/a-wake-up-call-for-our-non-stop-world-paysages-dystopiques-de-la-chine-en-2015\/","url_meta":{"origin":5972,"position":2},"title":"\u00ab\u00a0A wake-up call for our non-stop world\u00a0\u00bb : paysages dystopiques de la Chine en 2015","author":"admin","date":"2020-12-05","format":false,"excerpt":"par Sarah Wilson L\u2019admiration anglaise pour la Chine et la \"fusion\" de nos paysages est bien connue, elle se situe autour de la figure de William Chambers qui a con\u00e7u les jardins de Kew, avec sa c\u00e9l\u00e8bre pagode \u00e9rig\u00e9e en 1762. 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