{"id":5967,"date":"2021-10-10T08:51:55","date_gmt":"2021-10-10T06:51:55","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=5967"},"modified":"2021-10-10T14:22:51","modified_gmt":"2021-10-10T12:22:51","slug":"colloque-bande-dessinee-en-asie-orientale-comics-in-east-asia","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/colloque-bande-dessinee-en-asie-orientale-comics-in-east-asia\/","title":{"rendered":"[Colloque] Bande dessin\u00e9e en Asie orientale \/ Comics in East Asia"},"content":{"rendered":"
\n

Notre consoeur, Marie Laureillard participe au colloque international<\/a> qui aura lieu au mus\u00e9e du quai Branly – Jacques Chirac, Paris, le 14 octobre prochain, Bande \u00a0dessin\u00e9e \u00a0en Asie \u00a0orientale \u00a0\u00a0\/ Comics in East Asia.\u00a0<\/em><\/a> Elle en est l’un des quatre membres organisateurs.<\/p>\n

\n

Elle pr\u00e9sente un auteur taiwanais sous l’intitul\u00e9 suivant :<\/p>\n

L’esth\u00e9tique du wuxia en bande dessin\u00e9e : l’exemple de Chen Uen<\/i> [Zh\u00e8ng W\u00e8n en phon\u00e9tique pinyin, <\/i>\u912d\u554f<\/span> (1958-2017)].<\/p>\n

\"\"<\/a><\/p>\n<\/div>\n<\/div>\n

<\/p>\n

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Ce\u00a0\u00a0colloque\u00a0\u00a0international\u00a0\u00a0regroupe diff\u00e9rents points de vue sur la bande dessin\u00e9e\u00a0\u00a0telle qu\u2019elle s\u2019est d\u00e9velopp\u00e9e\u00a0\u00a0dans l\u2019aire\u00a0\u00a0g\u00e9ographique\u00a0\u00a0et\u00a0\u00a0culturelle\u00a0\u00a0de\u00a0\u00a0l\u2019Asie orientale.\u00a0\u00a0Autour\u00a0\u00a0de\u00a0\u00a0communications abordant l\u2019art de la bande dessin\u00e9e au Japon, en\u00a0\u00a0Cor\u00e9e\u00a0\u00a0du\u00a0\u00a0Sud,\u00a0\u00a0en\u00a0\u00a0Chine,\u00a0\u00a0\u00e0\u00a0\u00a0Hong\u00a0\u00a0Kong,\u00a0\u00a0\u00e0 Ta\u00efwan et au Vietnam, il s\u2019agira de montrer quelles\u00a0\u00a0sont\u00a0\u00a0les\u00a0\u00a0sp\u00e9cificit\u00e9s\u00a0\u00a0historiques, stylistiques,\u00a0\u00a0m\u00e9diatiques\u00a0\u00a0ou encore politiques du neuvi\u00e8me\u00a0\u00a0art dans\u00a0\u00a0les pays est-asiatiques.<\/p>\n

Le\u00a0\u00a0colloque\u00a0\u00a0sera \u00e9galement\u00a0\u00a0l\u2019occasion d\u2019\u00e9voquer\u00a0\u00a0les rencontres\u00a0\u00a0et\u00a0\u00a0les\u00a0\u00a0\u00e9changes entre\u00a0\u00a0ces diff\u00e9rentes \u00a0traditions \u00a0de \u00a0bande dessin\u00e9e ainsi que leurs diffusions \u00e0 l\u2019\u00e9tranger. D’amusantes et int\u00e9ressantes approches d’universitaires d’ici et d’ailleurs. A ce propos, l’intervention de\u00a0Corrado Neri, (Universit\u00e9 Jean Moulin Lyon 3), Repr\u00e9sentation de la Chine dans la bande dessin\u00e9e italienne des ann\u00e9es 1970 : Manara<\/i> [1945, Luson], Umberto Eco<\/i>, renvoie au concept plus large de la s\u00e9duction de la Chine en Europe, concept qui s\u00e9vit depuis le 17e si\u00e8cle, , entre orrido et dilettevole…<\/p>\n

A quand une exposition sur ces images qui, depuis des d\u00e9cennies sont le produit\u00a0du travail de cr\u00e9ateurs, pour certains, pour beaucoup,\u00a0 rest\u00e9s dans l’ombre ou, pour d’autres, ayant men\u00e9 une double carri\u00e8re d’illustrateur et de cr\u00e9ateur. Environnement mus\u00e9al oblige, un tel deuxi\u00e8me volet\u00a0 permettrait de donner tout son \u00e9panouissement \u00e0 ce joli th\u00e8me qui doit montrer le processus de cr\u00e9ation d’une oeuvre, devenue image ou vignette …<\/p>\n

Alain Cardenas-Castro et Christophe Comentale<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Notre consoeur, Marie Laureillard participe au colloque international qui aura lieu au mus\u00e9e du quai Branly – Jacques Chirac, Paris, le 14 octobre prochain, Bande \u00a0dessin\u00e9e \u00a0en Asie \u00a0orientale \u00a0\u00a0\/ Comics in East Asia.\u00a0 Elle en est l’un des quatre … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[41,21,1],"tags":[45,32,46,29],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-1yf","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5854,"url":"https:\/\/alaincardenas.com\/blog\/a-propos-des-publications-des-annees-1970-en-chine\/","url_meta":{"origin":5967,"position":0},"title":"A propos des publications des ann\u00e9es 1970 en Chine","author":"admin","date":"2021-05-28","format":false,"excerpt":"par Christophe Comentale Il est, depuis une bonne vingtaine d\u2019ann\u00e9es, fr\u00e9quent de souligner l\u2019excellence de l\u2019\u00e9dition chinoise, un cr\u00e9neau chronologique en phase avec l\u2019entr\u00e9e de la Chine \u00e0 l\u2019Organisation mondiale du Commerce, en 2001. 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Compte-rendu des vingt-deux interventions. A l'initiative de Madame Isabelle Tauzin-Castellanos[1], professeur de l'Universit\u00e9 Bordeaux Montaigne et membre honoraire de l\u2019Institut Universitaire de France, le colloque international, Images\u2026","rel":"","context":"Dans "Am\u00e9rique latine"","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2022\/04\/Capture-d\u00e2\u0080\u0099e\u00cc\u0081cran-2022-04-03-a\u00cc\u0080-15.08.32.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":328,"url":"https:\/\/alaincardenas.com\/blog\/colloque-international-sur-les-cloisonnes-occidentaux-et-chinois\/","url_meta":{"origin":5967,"position":2},"title":"Colloque international sur les cloisonn\u00e9s occidentaux et chinois","author":"admin","date":"2017-07-29","format":false,"excerpt":"Mus\u00e9e des cloisonn\u00e9s.\u00a0Beijing, 30 juin 2017. Compte-rendu. par Christophe Comentale Ouvert depuis 2014, le mus\u00e9e des cloisonn\u00e9s chinois et \u00e9trangers est dirig\u00e9 par Monsieur ZHU Jingyou\u6731\u666f\u4f18. Cet \u00e9tablissement priv\u00e9 a pour but la promotion des cloisonn\u00e9s traditionnels ou de cr\u00e9ation contemporaine. 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