{"id":3985,"date":"2019-08-26T22:16:59","date_gmt":"2019-08-26T20:16:59","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=3985"},"modified":"2019-09-03T09:49:44","modified_gmt":"2019-09-03T07:49:44","slug":"de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/","title":{"rendered":"De la nouvelle apparition des formes contraintes et desservies\u00a0: le cutter"},"content":{"rendered":"<p>par Alain Cardenas-Castro et Christophe Comentale<\/p>\n<p>Le XXI<sup>e<\/sup> si\u00e8cle ne cesse de d\u00e9cliner des contingents de produits de consommation courante voire virtuelle comme en r\u00e9action spontan\u00e9e \u00e0 une perte d\u2019autonomie et face\u00a0 \u00e0 laquelle diff\u00e9rents artistes ont opt\u00e9 pour des choix autres. Un des grands ma\u00eetres de ce courant informel est Claude-Nicolas Ledoux, il n\u2019a cess\u00e9 de faire \u00e9cole depuis lors.<\/p>\n<p>Avec ses \u0153uvres uniques Wahiba Daoussi a donn\u00e9 un nouveau souffle \u00e0 ses objets de d\u00e9r\u00e9liction. Avec minutie elle nous oriente vers une approche intime des objets rappelant celle de Morandi.<\/p>\n<div id=\"attachment_3988\" style=\"width: 610px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-3988\" data-attachment-id=\"3988\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/dsc_0694-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?fit=600%2C466&amp;ssl=1\" data-orig-size=\"600,466\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D90&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;958802098&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_0694 (2)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?fit=300%2C233&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?fit=584%2C454&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-3988 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?resize=584%2C454&#038;ssl=1\" alt=\"\" width=\"584\" height=\"454\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?resize=300%2C233&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0694-2.jpg?resize=386%2C300&amp;ssl=1 386w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-3988\" class=\"wp-caption-text\">Wahiba Daoussi, Le cutter (2019), pastel sur carton, 21 x 30 cm (coll. Priv\u00e9e) \u00a9 Wahiba Daoussi<\/p><\/div>\n<p><!--more--><\/p>\n<p>Deborah Boxer depuis plusieurs d\u00e9cennies a sublim\u00e9 l\u2019outillage et ses prolongements inattendus.<\/p>\n<div id=\"attachment_3989\" style=\"width: 920px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-3989\" data-attachment-id=\"3989\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/meches-devorah-boxer\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?fit=910%2C639&amp;ssl=1\" data-orig-size=\"910,639\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"m\u00e8ches Devorah Boxer\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?fit=300%2C211&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?fit=584%2C410&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-3989 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?resize=584%2C410&#038;ssl=1\" alt=\"\" width=\"584\" height=\"410\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?w=910&amp;ssl=1 910w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?resize=300%2C211&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?resize=768%2C539&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/m\u00e8ches-Devorah-Boxer.jpg?resize=427%2C300&amp;ssl=1 427w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-3989\" class=\"wp-caption-text\">Devorah Boxer, M\u00e8ches (1988-1996), gravure sur m\u00e9tal, 50 x 65 cm \u00a9 Devorah Boxer<\/p><\/div>\n<p>Une s\u00e9rie r\u00e9cente d\u2019encres, de pi\u00e8ces ex\u00e9cut\u00e9es au\u00a0 stylo-bille, a permis \u00e0 R\u00e9mi Champseit peintre, graveur, dessinateur et calligraphe occidental, de multiplier ses recherches sur ses outils n\u00e9s de formes calligraphique, g\u00e9om\u00e9trique. On trouve ainsi des\u00a0 assemblages improbables n\u00e9s \u00a0de l\u2019imaginaire de Sironi, de Chirico ou de l\u2019observation incessante de tout ce qui captive son attention.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{\"blog_id\":1,\"permalink\":\"https:\\\/\\\/alaincardenas.com\\\/blog\\\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\\\/\"}' id='gallery-1' class='gallery galleryid-3985 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/mms_20190818_153945\/'><img width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" data-attachment-id=\"3990\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/mms_20190818_153945\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?fit=1024%2C768&amp;ssl=1\" data-orig-size=\"1024,768\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"mms_20190818_153945\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153945.jpg?fit=584%2C438&amp;ssl=1\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/mms_20190818_153955\/'><img width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" data-attachment-id=\"3991\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/mms_20190818_153955\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"mms_20190818_153955\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_153955.jpg?fit=584%2C438&amp;ssl=1\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/mms_20190818_154004\/'><img width=\"150\" height=\"150\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?resize=150%2C150&amp;ssl=1\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" data-attachment-id=\"3992\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/mms_20190818_154004\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"mms_20190818_154004\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/mms_20190818_154004.jpg?fit=584%2C438&amp;ssl=1\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<p>Ci-dessus, les outils improbables de R\u00e9mi Champseit d\u00e9clin\u00e9s sur des doubles pages de carnets \u00e0 dessins.<\/p>\n<hr \/>\n<p>La rencontre avec un instrument peut \u00eatre programm\u00e9e ou elle peut \u00eatre fortuite aussi. Se faisant, il peut s\u2019acqu\u00e9rir \u00e0 l\u2019\u00e9tat neuf dans un commerce ou \u00eatre acquis sur un march\u00e9 d\u2019occasions. Cet instrument, par la suite, pourra \u00eatre \u00e9ventuellement utilis\u00e9 ou autrement appr\u00e9ci\u00e9 pour la beaut\u00e9 de ses formes, voire \u00eatre collectionn\u00e9. Cependant, la rencontre avec un objet pourra se faire \u00e9galement de mani\u00e8re virtuelle, qu\u2019il soit repr\u00e9sent\u00e9 en peinture ou par la photographie. Il s\u2019appr\u00e9ciera alors tout autant et parfois la puissance expressive de son interpr\u00e9tation surprendra le spectateur et parviendra \u00e0 retenir son attention\u00a0en l\u2019informant sur les traces, l\u2019usure, dues\u00a0\u00e0 ses usages multiples. Des usages occasionn\u00e9s par l\u2019histoire du quotidien, d\u2019un labeur anonyme.<b><\/b><i><\/i><u><\/u><\/p>\n<p>C\u2019est ainsi que confront\u00e9 aux travaux in\u00e9dits de Wahiba Daoussi j\u2019ai voulu en savoir plus sur certains des outils remarquablement dessin\u00e9s au pastel et pr\u00e9sent\u00e9s lors de sa derni\u00e8re exposition. Apr\u00e8s lui avoir demand\u00e9 quelques explications elle m\u2019a \u00e9voqu\u00e9 l\u2019histoire de l\u2019un d\u2019eux, un cutter :<\/p>\n<blockquote><p>\u00ab\u00a0Devant la profusion d\u2019objets souvent inutiles et futiles, j\u2019ai voulu mettre en lumi\u00e8re l\u2019objet utile, fonctionnel et invisible.<\/p>\n<p>Je n\u2019ai encore jamais rencontr\u00e9 quelqu\u2019un m\u2019ayant fait part de son envie irr\u00e9sistible de s\u2019offrir un cutter ou plus exactement un Stanley.<\/p>\n<p>C\u2019est celui-ci que j\u2019ai choisi de repr\u00e9senter dans ce dessin r\u00e9alis\u00e9 au pastel.<\/p>\n<p>Cet outil appartenait de son vivant \u00e0 mon p\u00e8re. Il \u00e9tait pour lui la garantie de pouvoir concr\u00e9tiser ses projets. Je repense \u00e0 sa fa\u00e7on de descendre, s\u00e9rieux et concentr\u00e9, dans sa cave, pour farfouiller des heures dans ce qui s\u2019apparente au sous-sol du BHV, afin d\u2019y d\u00e9nicher le merveilleux outil. Ouvrier immigr\u00e9, carreleur de profession, il a toute sa vie durant r\u00e9par\u00e9 tout ce qui pouvait l\u2019\u00eatre.<\/p>\n<p>Cet objet outil demande de penser, concevoir et concr\u00e9tiser la forme dans l\u2019espace. Il est le t\u00e9moignage de tout son savoir-faire acquis par l\u2019exp\u00e9rience, le courage et la volont\u00e9. Sa connaissance des mat\u00e9riaux \u00e9tait immense. Appr\u00e9hender l\u2019outil ne s\u2019improvise pas. Le r\u00e9duire \u00e0 un usage strictement fonctionnel n\u2019est pas juste.<\/p>\n<p>Avec la technique du pastel, je voulus l\u2019envelopper de douceur, d\u2019affection et de tendresse\u00a0\u00bb. \u00bb. <em>Wahiba Daoussi,<\/em> propos in\u00e9dits <em>(2019)<\/em><\/p><\/blockquote>\n<p>Wahiba Daoussi nous confie l\u2019histoire de cet outil du quotidien, pour elle, d\u2019une importance fondamentale, d\u2019une part, en l\u2019explicitant picturalement de mani\u00e8re irr\u00e9pressible et spontan\u00e9e mais assur\u00e9ment r\u00e9fl\u00e9chie, et, d\u2019autre part, en relatant cette histoire oralement, accompagn\u00e9e de d\u00e9tails ordinaires devenus importants avec le temps pass\u00e9.<\/p>\n<p>Des tirages photographiques ont sans doute reproduit en plusieurs exemplaires ce cutter \u00ad\u2013 certainement entre les mains de son utilisateur \u00ad\u2013 mais il a \u00e9t\u00e9 indispensable pour Wahiba Daoussi de le fixer graphiquement, apr\u00e8s avoir pr\u00e9alablement appr\u00e9hend\u00e9 ses formes et ses couleurs, envisag\u00e9 par une observation minutieuse son volume tout en consid\u00e9rant ses emplois, son usure, ses marques particuli\u00e8res. Une mani\u00e8re pour elle de retrouver le m\u00e9tier de son p\u00e8re en recr\u00e9ant des \u00e9l\u00e9ments de son univers professionnel et cela de mani\u00e8re sensible. La force de ses propos contribue \u00e0 la puissance de l\u2019interpr\u00e9tation \u00e9vocatrice de ces outils exhum\u00e9s du sous-sol de la maison familiale.<\/p>\n<p>En arch\u00e9ologue d\u2019un quotidien du pass\u00e9, Wahiba Daoussi redonne vie \u00e0 ces instruments \u00e0 pr\u00e9sent inusit\u00e9s. Elle revoit son p\u00e8re, aujourd\u2019hui disparu, employer ce cutter qui devient un instrument magnifiquement d\u00e9peint au pastel. Un hommage \u00e0 la figure tut\u00e9laire de son enfance qu\u2019elle r\u00e9p\u00e9tera avec d\u2019autres objets choisis dans la bo\u00eete \u00e0 outils paternelle\u00a0: une pince, des tenailles, un compas &#8230;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?ssl=1\"><img data-attachment-id=\"3987\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/dsc_0698-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?fit=600%2C465&amp;ssl=1\" data-orig-size=\"600,465\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D90&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;958802733&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_0698 (2)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?fit=300%2C233&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?fit=584%2C453&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3987\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?resize=300%2C233&#038;ssl=1\" alt=\"\" width=\"300\" height=\"233\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?resize=300%2C233&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?resize=387%2C300&amp;ssl=1 387w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0698-2.jpg?w=600&amp;ssl=1 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a>\u00a0<a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?ssl=1\"><img data-attachment-id=\"3986\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/dsc_0703-2-copie\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?fit=632%2C800&amp;ssl=1\" data-orig-size=\"632,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D90&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;958804897&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_0703 (2) &#8211; copie\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?fit=237%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?fit=584%2C739&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-3986\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?resize=237%2C300&#038;ssl=1\" alt=\"\" width=\"237\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?resize=237%2C300&amp;ssl=1 237w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/08\/DSC_0703-2-copie.jpg?w=632&amp;ssl=1 632w\" sizes=\"(max-width: 237px) 100vw, 237px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<hr \/>\n<p>Ci-dessus, de gauche \u00e0 droite, Wahiba Daoussi. <em>Compas et tenailles<\/em> (2019), pastel sur carton, 21 x 30 cm (coll. Priv\u00e9e) \u00a9 Wahiba Daoussi\u00a0; <em>Gamelle<\/em> (2019), pastel sur carton, 30 x 21 cm (coll. De l\u2019artiste) \u00a9 Wahiba Daoussi<\/p>\n<hr \/>\n<p>Les cheminements artistiques men\u00e9s parall\u00e8lement par ces plasticiens sont-ils si diff\u00e9rents de ces vies d\u2019ouvriers attach\u00e9s \u00e0 leurs m\u00e9tiers et \u00e0 leurs outils comme on peut le voir dans ce superbe mus\u00e9e d\u2019art populaire en Bourgogne fond\u00e9 par le peintre Raymond Humbert ? Ces parcours ont certainement en commun, malgr\u00e9 des contextes culturels et des lieux diff\u00e9rents, les m\u00eames objectifs d\u2019\u00e9laborer et de parfaire art et techniques.<\/p>\n<p>&nbsp;<\/p>\n<p>Rep\u00e8res bibliographiques et sites\u00a0:<\/p>\n<ul>\n<li>Devorah Boxer sur le site de l\u2019Acad\u00e9mie des Beaux-arts\u00a0: http:\/\/www.academiedesbeauxarts.fr\/upload\/exposition\/2016\/Exposition_Devorah_Boxer.html<\/li>\n<li>Le mus\u00e9e chinois du quotidien<strong>,\u00a0<\/strong>2 boulevard Jean Jaur\u00e8s, 34700 Lod\u00e8ve<\/li>\n<li>Leroi-Gourhan, A. (1943). <em>Evolution et techniques<\/em>, tome 1 &#8211; <em>L\u2019homme et la mati\u00e8re.<\/em> Paris\u00a0: Albin Michel.<\/li>\n<li>Site du peintre Raymond Humbert\u00a0: http:\/\/raymond-humbert.com<\/li>\n<li>Site du mus\u00e9e des arts populaires de Laduz, 22 Rue du Monceau, 89110\u00a0: Laduz, http:\/\/laduz.com<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>par Alain Cardenas-Castro et Christophe Comentale Le XXIe si\u00e8cle ne cesse de d\u00e9cliner des contingents de produits de consommation courante voire virtuelle comme en r\u00e9action spontan\u00e9e \u00e0 une perte d\u2019autonomie et face\u00a0 \u00e0 laquelle diff\u00e9rents artistes ont opt\u00e9 pour des &hellip; <a href=\"https:\/\/alaincardenas.com\/blog\/de-la-nouvelle-apparition-des-formes-contraintes-et-desservies-le-cutter\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[42,22],"tags":[9,33,35],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-12h","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3581,"url":"https:\/\/alaincardenas.com\/blog\/la-collection-francois-dautresme-entre-objets-dart-populaire-et-design-intuitif\/","url_meta":{"origin":3985,"position":0},"title":"La collection Fran\u00e7ois Dautresme entre objets d&rsquo;art populaire et design intuitif","author":"admin","date":"2019-06-02","format":false,"excerpt":"par Ma Li Dautresme Propos introductifs d'Alain Cardenas-Castro et Christophe Comentale Depuis la cr\u00e9ation du Mus\u00e9e chinois du quotidien le 11 juillet 2017, les choses ont un peu \u00e9volu\u00e9, mais pas de fa\u00e7on exag\u00e9r\u00e9e ! La vie d'un mus\u00e9e est faite de r\u00e9p\u00e9tition(s), toutes dans une continuit\u00e9 : il y\u2026","rel":"","context":"Dans &quot;Asie&quot;","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/06\/19-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/06\/19-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/06\/19-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/06\/19-2.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2019\/06\/19-2.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2213,"url":"https:\/\/alaincardenas.com\/blog\/le-quotidien-de-la-chine\/","url_meta":{"origin":3985,"position":1},"title":"Le quotidien de la Chine","author":"admin","date":"2018-06-12","format":false,"excerpt":"LE QUOTIDIEN D\u2019UN VISIONNAIRE...FRANCOIS DAUTRESME. par Jean Levantal - Massif, pudique, modeste et plut\u00f4t secret, Fran\u00e7ois Dautresme avait une innocence j\u00e9suite, malicieuse, cousue de fil blanc, qui le mettait en osmose parfaite avec la foule des Chinois qu'il\u00a0aimait passionn\u00e9ment. L'\u0153il de ce grand collectionneur s'allumait au seul spectacle de la\u2026","rel":"","context":"Dans &quot;Asie&quot;","block_context":{"text":"Asie","link":"https:\/\/alaincardenas.com\/blog\/category\/asie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/05\/FD-en-Mongolie-intre-avec-WU-X-iaolan-fin-des-ann\u00c3\u00a9es-90_01.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8017,"url":"https:\/\/alaincardenas.com\/blog\/concours-du-livre-dartiste-dissy-les-moulineaux-marc-vernier-laureat-2024\/","url_meta":{"origin":3985,"position":2},"title":"Concours du livre d\u2019artiste d\u2019Issy-les-Moulineaux, Marc Vernier, laur\u00e9at 2024.","author":"admin","date":"2024-05-30","format":false,"excerpt":"Compte-rendu. par Christophe Comentale et Fr\u00e9d\u00e9ric Harranger Depuis sept ans, cette manifestation met l\u2019accent sur la pluralit\u00e9 du type de cr\u00e9ation \u00e0 la fois r\u00e9cent et historique que constitue le livre d\u2019artiste. 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Papiers, livres d\u2019artiste, sculptures et autres supports","author":"admin","date":"2020-07-14","format":false,"excerpt":"G\u00e9ographie \u00e9ph\u00e9m\u00e8re,\u00a0Galerie Younique,\u00a065 rue Pascal 75013 Paris,\u00a0du 13 septembre au 17 octobre 2020 compte-rendu par Marie-Paule Peronnet Ann\u00e9es 2018 \u00e0 2020. Une succession d\u2019\u0153uvres pour une chronologie triennale propitiatoire, sur suite d\u2019\u00e9v\u00e9nements num\u00e9riques et patrimoniaux en France, en Asie et au P\u00e9rou. Des manifestations qui montrent la pr\u00e9sence interactive d\u2019Alain\u2026","rel":"","context":"Dans &quot;Am\u00e9rique latine&quot;","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/07\/IMG_2736.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/07\/IMG_2736.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/07\/IMG_2736.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2020\/07\/IMG_2736.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8968,"url":"https:\/\/alaincardenas.com\/blog\/robert-braud-le-theme-du-nu-feminin-des-annees-30-aux-annees-50\/","url_meta":{"origin":3985,"position":5},"title":"ROBERT BRAUD, LE THEME DU NU FEMININ, DES ANNEES 30 AUX ANNEES 50","author":"admin","date":"2025-06-13","format":false,"excerpt":"par Christophe Comentale Des V\u00e9nus pal\u00e9olithiques au 20e si\u00e8cle, voire aux premi\u00e8res d\u00e9cennies du 21e si\u00e8cle, le th\u00e8me de la femme, sublim\u00e9e ou mystifi\u00e9e, sacralis\u00e9e ou d\u00e9voy\u00e9e, a beaucoup sollicit\u00e9 l\u2019inspiration et l\u2019imaginaire des artistes. Les diff\u00e9rentes p\u00e9riodes historiques ont, selon des approches et des codes diff\u00e9rents, tout autant trait\u00e9\u2026","rel":"","context":"Dans &quot;\u0152uvre&quot;","block_context":{"text":"\u0152uvre","link":"https:\/\/alaincardenas.com\/blog\/category\/oeuvre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/05\/Braud-Nu-au-palmier-couleurs-en-lavis-24-x-32-cm.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/3985"}],"collection":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/comments?post=3985"}],"version-history":[{"count":5,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/3985\/revisions"}],"predecessor-version":[{"id":4059,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/posts\/3985\/revisions\/4059"}],"wp:attachment":[{"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/media?parent=3985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/categories?post=3985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alaincardenas.com\/blog\/wp-json\/wp\/v2\/tags?post=3985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}