{"id":1786,"date":"2018-04-24T12:54:17","date_gmt":"2018-04-24T10:54:17","guid":{"rendered":"https:\/\/alaincardenas.com\/blog\/?p=1786"},"modified":"2019-02-23T10:00:50","modified_gmt":"2019-02-23T09:00:50","slug":"notes-de-qiu-le-projet-des-lanternes-multicolores","status":"publish","type":"post","link":"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/","title":{"rendered":"Notes de Qiu : le Projet des Lanternes Multicolores"},"content":{"rendered":"<p><strong>\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u8ba1\u5212<\/strong><\/p>\n<p>P\u00e9kin, Mus\u00e9e d\u2019Art Contemporain Minsheng\u00a0du 16 Mars 2018 au 5 Mai 2018<\/p>\n<p>Compte-rendu d&rsquo;exposition\u00a0par Fanny Paldacci<\/p>\n<p>Vendredi 16 Mars a eu lieu le vernissage de l\u2019exposition <em>Notes de Qiu : le Projet des Lanternes Multicolores<\/em> au mus\u00e9e d\u2019art contemporain Minsheng, \u00e0 Beijing (P\u00e9kin). Ce long projet a \u00e9t\u00e9 initi\u00e9 par l\u2019artiste en 2009, avec l\u2019\u00e9tude approfondie d\u2019un rouleau peint, dat\u00e9 de la fin de la dynastie des Ming, <em>Vue de la f\u00eate des lanternes multicolores<\/em>. L\u2019auteur demeure \u00e0 ce jour inconnu. Le rouleau est r\u00e9alis\u00e9 \u00e0 une p\u00e9riode d\u00e9crite par nombres d\u2019historiens comme le basculement entre l\u2019\u00e9poque m\u00e9di\u00e9vale et le d\u00e9but de l\u2019\u00e8re moderne.<\/p>\n<p>La r\u00e9trospective que constitue l&rsquo;exposition\u00a0<i>Notes de Qiu : le Projet des Lanternes Multicolores\u00a0<\/i>rassemble un corpus de pi\u00e8ces ayant d\u00e9j\u00e0 fait l&rsquo;objet d&rsquo;expositions pass\u00e9es.\u00a0Pour suivre le d\u00e9veloppement du projet, voir aussi (liste non exhaustive) :<\/p>\n<ul>\n<li><i>Biennale de Venise<\/i>, Venise, 2015<\/li>\n<li><i>Qiu Zhijie- Chroniques du Projet du Th\u00e9\u00e2tre JinLing,\u00a0<\/i>Mus\u00e9e de l&rsquo;Acad\u00e9mie des Arts de Chine, Hangzhou, 2015<\/li>\n<li><i>In-Situ: Exp\u00e9rience Inter-Contextuelle de l&rsquo;Art de l&rsquo;Encre,<\/i>\u00a0Mus\u00e9e Himalayas, Shanghai, 2014<\/li>\n<li><i>Biennale Chine-Italie,\u00a0<\/i>Centre Culturel P\u00e9kinois de la Plastic Factory #3, Beijing, 2014<\/li>\n<li><i>Douzi\u00e8me Exposition Artistique Nationale<\/i>, Mus\u00e9e Today Art, Beijing, 2014<\/li>\n<li><i>Troisi\u00e8me Exposition Documentaire Artistique de Wuhan,<\/i>\u00a0Mus\u00e9e d&rsquo;Art du Hubei, Wuhan, 2014<\/li>\n<li><i>Contes de l&rsquo;\u00c8re Taiping,<\/i>\u00a0Mus\u00e9e d&rsquo;Art Contemporain Red Brick, Beijing, 2014<\/li>\n<li><i>Art Basel<\/i>, Hong Kong, 2014<\/li>\n<li><i>Le Grand Canal &#8211; Cinquante-cinqui\u00e8me Exposition Artistique Internationale,\u00a0<\/i>Biennale de Venise,<i>\u00a0<\/i>Mus\u00e9e Dioc\u00e9sain d&rsquo;Art Sacr\u00e9, Venise, 2013<\/li>\n<li><i>Les Forces du March\u00e9,\u00a0<\/i>Galerie<i>\u00a0<\/i>Osage, Hong Kong, 2013<\/li>\n<li><i>Guanxi: Art Contemporain Chinois,\u00a0<\/i>Mus\u00e9e d&rsquo;Art de Guangdong, Guangzhou, 2011<\/li>\n<li><i>\u201cRelations\u201d Exposition d&rsquo;Art Contemporain Chinois,\u00a0<\/i>Mus\u00e9e<i>\u00a0<\/i>Today Art, Beijing, 2011<\/li>\n<li><i>Biennale de Shanghai<\/i>, Power Station of Art, Shanghai, 2010<\/li>\n<\/ul>\n<p><strong>LES G\u00c8NES DE L&rsquo;HISTOIRE<\/strong><\/p>\n<p>La peinture montre une sc\u00e8ne de march\u00e9 \u00e0 Nanjing (Nankin) pendant la f\u00eate des lanternes, un \u00e9v\u00e8nement annuel ayant lieu lors des festivit\u00e9s du nouvel an. On peut y voir d\u00e9ambuler marchands, mendiants, nonnes et moines, conteurs, ainsi que toute une vari\u00e9t\u00e9 de personnages \u00e9voluant dans l\u2019espace public. L\u2019artiste initie sa recherche par le biais d \u2019une r\u00e9-interpr\u00e9tation de la sc\u00e8ne, qu\u2019il agr\u00e9mente d\u2019annotations vari\u00e9es. Il en extrait la grille de composition et les \u00e9l\u00e9ments principaux pour les agencer selon sa propre compr\u00e9hension, tout en y pla\u00e7ant des formes nouvelles.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/1.jpg?ssl=1\"><img data-attachment-id=\"1787\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/1\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/1.jpg?fit=800%2C553&amp;ssl=1\" data-orig-size=\"800,553\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/1.jpg?fit=300%2C207&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/1.jpg?fit=584%2C404&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\" wp-image-1787 alignleft\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/1.jpg?resize=256%2C180&#038;ssl=1\" alt=\"\" width=\"256\" height=\"180\" data-recalc-dims=\"1\" \/><\/a> <a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/2.jpg?ssl=1\"><img data-attachment-id=\"1788\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/2-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/2.jpg?fit=800%2C552&amp;ssl=1\" data-orig-size=\"800,552\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/2.jpg?fit=300%2C207&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/2.jpg?fit=584%2C403&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\" wp-image-1788 alignnone\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/2.jpg?resize=256%2C180&#038;ssl=1\" alt=\"\" width=\"256\" height=\"180\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?ssl=1\"><img data-attachment-id=\"1789\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/3\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?fit=800%2C147&amp;ssl=1\" data-orig-size=\"800,147\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?fit=300%2C55&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?fit=584%2C107&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1789\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?resize=584%2C107&#038;ssl=1\" alt=\"\" width=\"584\" height=\"107\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?resize=300%2C55&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?resize=768%2C141&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/3.jpg?resize=500%2C92&amp;ssl=1 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p><em>Vue du Festival des Lanternes Multicolores<\/em>, Auteur Inconnu, (d\u00e9tails),\u00a0Peinture sur soie, papier \/ 200 x 26 cm<\/p>\n<div id=\"attachment_1790\" style=\"width: 810px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1790\" data-attachment-id=\"1790\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/4\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?fit=800%2C372&amp;ssl=1\" data-orig-size=\"800,372\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"4\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?fit=300%2C140&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?fit=584%2C272&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1790 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?resize=584%2C272&#038;ssl=1\" alt=\"\" width=\"584\" height=\"272\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?resize=300%2C140&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?resize=768%2C357&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/4.jpg?resize=500%2C233&amp;ssl=1 500w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1790\" class=\"wp-caption-text\"><em>Le Projet des Lanternes Multicolores, Premi\u00e8re Rencontre<\/em>, Qui Zhijie,\u00a0Encre sur papier \/ 140 x 70 x 21 cm<\/p><\/div>\n<p><!--more--><\/p>\n<p>Dans l\u2019action de peindre sa propre version du rouleau, l\u2019artiste met en place une m\u00e9thode d\u2019annotation fluide qui participe de son analyse de l\u2019objet initial et lui permet simultan\u00e9ment d\u2019en d\u00e9velopper une interpr\u00e9tation divergente. Ce que le titre de l\u2019exposition d\u00e9signe donc comme \u00ab notes \u00bb n\u2019est autre que ce lent processus d\u2019\u00e9tude et de transformation op\u00e9r\u00e9 par Qiu Zhijie, rejaillissant ensuite sous forme textuelle, picturale ou sculpturale.<\/p>\n<div id=\"attachment_1796\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1796\" data-attachment-id=\"1796\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/10-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521380188&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"10\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1796 size-medium\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?resize=300%2C199&#038;ssl=1\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?resize=453%2C300&amp;ssl=1 453w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/10.jpg?w=800&amp;ssl=1 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1796\" class=\"wp-caption-text\">Vue d\u2019ensemble, Mus\u00e9e d\u2019Art Contemporain Minsheng<\/p><\/div>\n<p>De cette d\u00e9marche ont \u00e9t\u00e9 extraites 136 figures dont 108 d\u2019entre elles sont montr\u00e9es au sol, en regard de 28 autres formes suspendues. Chaque figure se voit associ\u00e9e une gravure qui combine \u00e0 la fois un texte et une illustration de sa forme finale, avant la r\u00e9alisation en volume. Ces portraits illustr\u00e9s constituent la seconde phase de la recherche picturale mentionn\u00e9e ci-dessus : ils isolent les \u00e9l\u00e9ments cl\u00e9s de ce que Qiu Zhijie d\u00e9crit comme un code g\u00e9n\u00e9tique de l\u2019\u00e9volution humaine, un concept extrait de <em>l\u2019Arch\u00e9ologie du Savoir <\/em>de Foucault dont il s\u2019empare pour d\u00e9velopper sa proposition.<\/p>\n<div id=\"attachment_1792\" style=\"width: 810px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1792\" data-attachment-id=\"1792\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/6\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?fit=800%2C525&amp;ssl=1\" data-orig-size=\"800,525\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521378359&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"6\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?fit=300%2C197&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?fit=584%2C383&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1792 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?resize=584%2C383&#038;ssl=1\" alt=\"\" width=\"584\" height=\"383\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?resize=300%2C197&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?resize=768%2C504&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/6.jpg?resize=457%2C300&amp;ssl=1 457w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1792\" class=\"wp-caption-text\">Vue d\u2019ensemble, Mus\u00e9e d\u2019Art Contemporain Minsheng<\/p><\/div>\n<div id=\"attachment_1795\" style=\"width: 810px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1795\" data-attachment-id=\"1795\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/9\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521380096&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"9\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1795 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?resize=584%2C387&#038;ssl=1\" alt=\"\" width=\"584\" height=\"387\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/9.jpg?resize=453%2C300&amp;ssl=1 453w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1795\" class=\"wp-caption-text\"><em>L\u2019Hommage<\/em>, Objet : Table en b\u00e9ton, fioles de verre teint\u00e9 \/ Gravures : Encre, papier, Dimensions variables<\/p><\/div>\n<div id=\"attachment_1794\" style=\"width: 810px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1794\" data-attachment-id=\"1794\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/8\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521379923&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"8\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1794 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?resize=584%2C387&#038;ssl=1\" alt=\"\" width=\"584\" height=\"387\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/8.jpg?resize=453%2C300&amp;ssl=1 453w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1794\" class=\"wp-caption-text\"><em>Le Tremplin<\/em>\u00a0(vue de la partie \u00ab\u00a0objet\u00a0\u00bb du triptyque), Chaussures, PMMA, PLA \/ Dimensions variables<\/p><\/div>\n<div id=\"attachment_1793\" style=\"width: 810px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1793\" data-attachment-id=\"1793\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/7\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521379787&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"7\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1793 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?resize=584%2C387&#038;ssl=1\" alt=\"\" width=\"584\" height=\"387\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/7.jpg?resize=453%2C300&amp;ssl=1 453w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1793\" class=\"wp-caption-text\"><em>Le Tr\u00e9sor<\/em> (vue de la partie \u00ab\u00a0objet\u00a0\u00bb du triptyque), R\u00e9sine, bois, aluminium, papier, fibre synth\u00e9tique \/ Dimensions variables<\/p><\/div>\n<p>L\u2019artiste cultive l\u2019id\u00e9e que l\u2019histoire n\u2019a de cesse de s\u2019accomplir de mani\u00e8re circulaire : il observe le surgissement de r\u00f4les pr\u00e9cis dont les modalit\u00e9s d\u2019apparitions, si elles diff\u00e8rent selon les p\u00e9riodes historiques, r\u00e9pondent aux m\u00eames n\u00e9cessit\u00e9s et aux m\u00eames fragments de sc\u00e9nario r\u00e9p\u00e9t\u00e9s. Ainsi, si la figure du jeune empereur va de pair avec celle du ministre puissant, l\u2019existence m\u00eame du ministre puissant implique celle du conspirateur ambitieux. Le conspirateur ambitieux, tentant sans rel\u00e2che de s\u2019emparer du pouvoir, est attach\u00e9 \u00e0 l\u2019existence de l\u2019assassin. Selon l\u2019accomplissement de ces s\u00e9quences de sc\u00e9narios, les po\u00e8tes et les prostitu\u00e9es deviendront in\u00e9luctablement compagnons d\u2019infortune, tout comme le dictateur mourra toujours empoisonn\u00e9&#8230; Cette relecture nous am\u00e8ne \u00e0 replacer les actrices et acteurs ayant marqu\u00e9 l\u2019histoire dans un jeu de r\u00f4le complexe : l\u2019individu devient une force vive pouvant endosser l\u2019un ou plusieurs de ces statuts. \u00c0 ces r\u00f4les sont attach\u00e9s nombre de fonctions, liant celle ou celui qui les endosse \u00e0 une constellation d\u2019autres r\u00f4les, s\u2019incarnant eux-m\u00eames dans un ou plusieurs individus.<\/p>\n<div id=\"attachment_1798\" style=\"width: 271px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/12.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1798\" data-attachment-id=\"1798\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/12\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/12.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521378568&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"12\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/12.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/12.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1798 \" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/12.jpg?resize=261%2C178&#038;ssl=1\" alt=\"\" width=\"261\" height=\"178\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1798\" class=\"wp-caption-text\">Vue d\u2019ensemble, Mus\u00e9e d\u2019Art Contemporain Minsheng<\/p><\/div>\n<p>Ces r\u00f4les ne sont pas n\u00e9cessairement sociaux et ne s\u2019appliquent pas toujours \u00e0 l\u2019humain. Les figures montr\u00e9es au sol peuvent aussi correspondre \u00e0 un ensemble d\u2019id\u00e9aux tels que <em>la R\u00e9volution, l\u2019Utopie, la Proph\u00e9tie<\/em>, ou \u00e0 des constructions physiques et mentales, comme l<em>e Canal<\/em> ou <em>la Cit\u00e9<\/em>&#8230; Les lanternes sont quant \u00e0 elles associ\u00e9es aux \u00e9motions \u00e9ternelles que les figures au sol ont r\u00e9alis\u00e9es (<em>la Nostalgie, le Regret Imm\u00e9diat<\/em>&#8230;).<\/p>\n<div id=\"attachment_1799\" style=\"width: 244px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/13.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1799\" data-attachment-id=\"1799\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/13\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/13.jpg?fit=800%2C523&amp;ssl=1\" data-orig-size=\"800,523\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521378810&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"13\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/13.jpg?fit=300%2C196&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/13.jpg?fit=584%2C382&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1799\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/13.jpg?resize=234%2C158&#038;ssl=1\" alt=\"\" width=\"234\" height=\"158\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1799\" class=\"wp-caption-text\"><em>Le Marchand<\/em>\u00a0 (vue de la partie \u00ab\u00a0objet\u00a0\u00bb du triptyque), Acier, bois de santal, ch\u00eane \/ Dimensions variables<\/p><\/div>\n<div id=\"attachment_1800\" style=\"width: 239px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/14.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1800\" data-attachment-id=\"1800\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/14\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/14.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521378289&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"14\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/14.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/14.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1800\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/14.jpg?resize=229%2C156&#038;ssl=1\" alt=\"\" width=\"229\" height=\"156\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1800\" class=\"wp-caption-text\"><em>La Grande Muraille<\/em>\u00a0 (vue de la partie \u00ab\u00a0objet\u00a0\u00bb du triptyque), Ch\u00eane, acier, eau \/ Dimensions variables<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_1801\" style=\"width: 214px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/15.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1801\" data-attachment-id=\"1801\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/15\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/15.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521378452&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"15\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/15.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/15.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1801\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/15.jpg?resize=204%2C142&#038;ssl=1\" alt=\"\" width=\"204\" height=\"142\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1801\" class=\"wp-caption-text\"><em>Le Contr\u00f4le de l&rsquo;Eau<\/em>, d\u00e9tail<\/p><\/div>\n<div id=\"attachment_1802\" style=\"width: 192px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/16.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1802\" data-attachment-id=\"1802\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/16\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/16.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521379351&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"16\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/16.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/16.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1802\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/16.jpg?resize=182%2C126&#038;ssl=1\" alt=\"\" width=\"182\" height=\"126\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1802\" class=\"wp-caption-text\"><em>Seigneur de Guerre<\/em> (vue de la partie \u00ab objet \u00bb du tryptique) Fourrure synth\u00e9tique, fauteuil gonflable, pompe \u00e9lectrique \/ Dimensions variables<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>LA COMM\u00c9MORATION<\/em><\/p>\n<blockquote><p>\u00abCelui qui s\u2019appuie sur la balustrade contemple son propre reflet. Le garde-fou le prot\u00e8ge du vertige et lib\u00e8re son esprit libre et solitaire, lui permettant de projeter sa vision dans le lointain, lib\u00e9r\u00e9 de toute pr\u00e9occupation physique. Son regard traverse les distances, jusqu\u2019\u00e0 se poser sur l\u2019Histoire. L\u2019Histoire, cette tour instable surplombant la nuit des temps&#8230; \u00c0 peine florissante qu\u2019elle est aussit\u00f4t ruine, le h\u00e9ros et la muse s\u2019y changent en ossements, les palais les plus somptueux et les mausol\u00e9es ne font qu\u2019un et la mousse y est l\u2019\u00e9ternel vainqueur. La lune contemple en silence montagnes et rivi\u00e8res, s\u00e9pultures et palaces, th\u00e9\u00e2tres de regrets que lui m\u00eame ne peut oublier.<\/p><\/blockquote>\n<div id=\"attachment_1803\" style=\"width: 513px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1803\" data-attachment-id=\"1803\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/17\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?fit=503%2C800&amp;ssl=1\" data-orig-size=\"503,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521379682&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"17\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?fit=189%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?fit=503%2C800&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1803 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?resize=503%2C800&#038;ssl=1\" alt=\"\" width=\"503\" height=\"800\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?w=503&amp;ssl=1 503w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/17.jpg?resize=189%2C300&amp;ssl=1 189w\" sizes=\"(max-width: 503px) 100vw, 503px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1803\" class=\"wp-caption-text\"><em>Comm\u00e9moration<\/em> (vue de la partie \u00abobjet\u00bb du triptyque), Bambou tress\u00e9 \/ Dimensions variables<\/p><\/div>\n<blockquote><p>Tous ceux qu\u2019il ch\u00e9rissait et rappelle d\u00e9sormais \u00e0 sa m\u00e9moire lui ressemblaient un peu. Finalement, il est celui qui d\u2019entre eux s\u2019est laiss\u00e9 distancer. Ils sont l\u2019\u00e9poque contre laquelle il est cens\u00e9 lutter. Les souvenirs enfouis, suscit\u00e9s par la vision de ces empires victorieux et de ces villes d\u00e9faites, ne sont pas toujours teints de m\u00e9lancolie, de haine ou de d\u00e9solation. Il lui faudra encore \u00e9crire d\u2019autres versions \u00e0 l\u2019histoire. Enfin, son regard revient se poser sur le balcon, se heurte \u00e0 la balustrade. Les griffonnages des contemplateurs du pass\u00e9 la recouvrent d\u00e9j\u00e0, les murs et les colonnes peintes sont noircis de leurs entrelacs. Ceux qui l&rsquo;ont pr\u00e9c\u00e9d\u00e9 ont d\u00e9j\u00e0 t\u00e9moign\u00e9 de la naissance et de la chute des empires pass\u00e9s, des malheurs endur\u00e9s, jusqu\u2019\u00e0 devenir eux m\u00eames objets de regrets.<\/p><\/blockquote>\n<div id=\"attachment_1804\" style=\"width: 249px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/18.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1804\" data-attachment-id=\"1804\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/18\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/18.jpg?fit=800%2C505&amp;ssl=1\" data-orig-size=\"800,505\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521379644&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"18\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/18.jpg?fit=300%2C189&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/18.jpg?fit=584%2C369&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1804 \" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/18.jpg?resize=239%2C154&#038;ssl=1\" alt=\"\" width=\"239\" height=\"154\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1804\" class=\"wp-caption-text\"><em>Comm\u00e9moration<\/em> (vue de la partie \u00abobjet\u00bb du triptyque), Bambou tress\u00e9 \/ Dimensions variables<\/p><\/div>\n<div id=\"attachment_1805\" style=\"width: 191px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1805\" data-attachment-id=\"1805\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/19\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521379604&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"19\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1805 \" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?resize=181%2C181&#038;ssl=1\" alt=\"\" width=\"181\" height=\"181\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?zoom=2&amp;resize=181%2C181&amp;ssl=1 362w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg?zoom=3&amp;resize=181%2C181&amp;ssl=1 543w\" sizes=\"(max-width: 181px) 100vw, 181px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1805\" class=\"wp-caption-text\"><em>Comm\u00e9moration<\/em> (vue de la partie \u00abobjet\u00bb du triptyque), Bambou tress\u00e9 \/ Dimensions variables<\/p><\/div>\n<p><a href=\"https:\/\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/19.jpg\">\u00a0 \u00a0<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>Il r\u00e9alise finalement que les \u00e9motions si f\u00e9roces qui l\u2019accablent ont d\u00e9j\u00e0 \u00e9t\u00e9 maintes fois ressenties. D\u00e8s lors, il devient muet.\u00bb<\/p>\n<p><em>[Texte associ\u00e9 \u00e0 la figure de La Comm\u00e9moration, Qiu Zhijie]<\/em><\/p><\/blockquote>\n<p><em>LA CIT\u00c9<\/em><\/p>\n<blockquote><p>\u00ab Les cit\u00e9s sont semblables aux hommes en cela qu\u2019elles poss\u00e8dent leurs propre g\u00e8nes, leur propre destin. Prosp\u00e8res ou appauvries, intr\u00e9pides ou d\u00e9licates, ind\u00e9centes&#8230; Toutes dissimulent en leur sein m\u00e9faits et corruption, toutes en portent les innombrables cicatrices. Chaque peuple engendre la luxure. L\u2019eau, le feu et l\u2019infiltration de forces destructrices sont, comme la famine ou la terreur, les ennemis naturels de la cit\u00e9. Elle doit se prot\u00e9ger des outils de divertissements excessifs, le spectaculaire recelant toujours de n\u00e9fastes desseins. La cit\u00e9 qui s\u2019affranchit de toute mesure s\u2019expose aux d\u00e9bordements et se transforme en sc\u00e8ne de th\u00e9\u00e2tre, en ar\u00e8ne de combat ou, dans le meilleur des cas, en labyrinthe. Elle devient le foyer de terreurs, elle est rong\u00e9e par la rage et empoisonn\u00e9e par un entrem\u00ealement d\u2019\u00e9motions multiples. Mais bien que la cit\u00e9 soit perdue, elle ne peut \u00eatre \u00e9radiqu\u00e9e. Ce qui a d\u00e9j\u00e0 eu lieu se reproduira \u00e0 nouveau. Les massacres se r\u00e9p\u00e8teront, aussi s\u00fbrement que la prosp\u00e9rit\u00e9 r\u00e8gnera encore. \u00bb<\/p>\n<p><em>[Texte associ\u00e9 \u00e0 la figure de La Cit\u00e9, Qiu Zhijie]<\/em><\/p><\/blockquote>\n<div id=\"attachment_1806\" style=\"width: 810px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1806\" data-attachment-id=\"1806\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/20\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?fit=800%2C530&amp;ssl=1\" data-orig-size=\"800,530\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521378225&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"20\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1806 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?resize=584%2C387&#038;ssl=1\" alt=\"\" width=\"584\" height=\"387\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?resize=768%2C509&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/20.jpg?resize=453%2C300&amp;ssl=1 453w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1806\" class=\"wp-caption-text\"><em>La Cit\u00e9<\/em> (vue de la partie \u00abobjet\u00bb du triptyque), B\u00e9ton, ch\u00eane, graines de soja \/ Dimensions variables<\/p><\/div>\n<p><strong>LE MARCH\u00c9 AUX ANTIQUITES<\/strong><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/21.jpg?ssl=1\"><img data-attachment-id=\"1810\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/21\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/21.jpg?fit=800%2C505&amp;ssl=1\" data-orig-size=\"800,505\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"21\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/21.jpg?fit=300%2C189&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/21.jpg?fit=584%2C369&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1810 alignright\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/21.jpg?resize=236%2C151&#038;ssl=1\" alt=\"\" width=\"236\" height=\"151\" data-recalc-dims=\"1\" \/><\/a> <a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?ssl=1\"><img data-attachment-id=\"1814\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/25\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?fit=700%2C464&amp;ssl=1\" data-orig-size=\"700,464\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"25\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?fit=584%2C387&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"size-thumbnail wp-image-1814 alignright\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?resize=150%2C150&#038;ssl=1\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?zoom=2&amp;resize=150%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/25.jpg?zoom=3&amp;resize=150%2C150&amp;ssl=1 450w\" sizes=\"(max-width: 150px) 100vw, 150px\" data-recalc-dims=\"1\" \/><\/a> <a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?ssl=1\"><img data-attachment-id=\"1813\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/24\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"24\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?fit=584%2C389&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1813 alignright\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?resize=232%2C156&#038;ssl=1\" alt=\"\" width=\"232\" height=\"156\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?zoom=2&amp;resize=232%2C156&amp;ssl=1 464w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/24.jpg?zoom=3&amp;resize=232%2C156&amp;ssl=1 696w\" sizes=\"(max-width: 232px) 100vw, 232px\" data-recalc-dims=\"1\" \/><\/a> Si le premier \u00e9tage du mus\u00e9e accueille l\u2019int\u00e9gralit\u00e9 des oeuvres d\u00e9crites ci-dessus, le rez-de-chauss\u00e9e \u00e9tait d\u00e9di\u00e9 le soir du vernissage au \u00ab <em>March\u00e9 aux Antiquit\u00e9s<\/em>\u00bb. Ce march\u00e9 fonctionne comme une r\u00e9elle brocante : dans le lieu d\u2019exposition sont mis \u00e0 disposition sept ou huit emplacements afin que quelques marchands puissent installer leurs \u00e9tals et pr\u00e9senter leurs produits.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?ssl=1\"><img data-attachment-id=\"1811\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/22\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?fit=700%2C466&amp;ssl=1\" data-orig-size=\"700,466\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"22\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?fit=300%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?fit=584%2C389&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\" wp-image-1811 alignleft\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?resize=184%2C184&#038;ssl=1\" alt=\"\" width=\"184\" height=\"184\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?zoom=2&amp;resize=184%2C184&amp;ssl=1 368w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/22.jpg?zoom=3&amp;resize=184%2C184&amp;ssl=1 552w\" sizes=\"(max-width: 184px) 100vw, 184px\" data-recalc-dims=\"1\" \/><\/a>\u00a0<a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?ssl=1\"><img data-attachment-id=\"1812\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/23\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?fit=700%2C378&amp;ssl=1\" data-orig-size=\"700,378\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"23\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?fit=300%2C162&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?fit=584%2C315&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-1812\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?resize=300%2C162&#038;ssl=1\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?resize=300%2C162&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?resize=500%2C270&amp;ssl=1 500w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/23.jpg?w=700&amp;ssl=1 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p>Le march\u00e9, install\u00e9 le temps d\u2019un soir, \u00e9tait \u00e9galement le th\u00e9\u00e2tre d\u2019une performance, fruit d\u2019un travail de groupe impliquant \u00e0 la fois les \u00e9tudiants de l\u2019Acad\u00e9mie des Beaux-Arts de Beijing et la metteuse en sc\u00e8ne et enseignante Zhang Ziqian.<\/p>\n<p>La performance est divis\u00e9e en cinq actes :<\/p>\n<ul>\n<li>Acte 1 : <em>Compilation de Genre d\u2019une Pi\u00e8ce de Th\u00e9\u00e2tre Historique<\/em><\/li>\n<li>Acte 2 : <em>Un March\u00e9 Soliloque<\/em><\/li>\n<li>Acte 3 : <em>Pengci<a href=\"#_ftn1\" name=\"_ftnref1\"><strong>[1]<\/strong><\/a><\/em><\/li>\n<li>Acte 4 : <em>R\u00eaves de Fant\u00f4mes<\/em><\/li>\n<li>Acte 5 : <em>Les Ench\u00e8res<\/em><\/li>\n<\/ul>\n<p>La performance porte sur les march\u00e9s nocturnes et leurs fant\u00f4mes. Elle est li\u00e9e \u00e0 une forme de brocante qui, en Chine, n\u2019a lieu que de nuit : l\u2019\u00e9quipe s\u2019empare de la croyance selon laquelle les esprits des antiquit\u00e9s se manifesteraient \u00e0 la faveur de l\u2019obscurit\u00e9 pour traiter de la question de l\u2019objet et de sa m\u00e9moire, du prix que l\u2019on accorde \u00e0 ce qui est achet\u00e9. Se met en place un discours critique sur le march\u00e9 de l\u2019art et plus largement, sur la question de la violence du consensus de vente.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?ssl=1\"><img data-attachment-id=\"1815\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/26\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?fit=700%2C465&amp;ssl=1\" data-orig-size=\"700,465\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"26\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?fit=300%2C199&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?fit=584%2C388&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1815\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?resize=584%2C388&#038;ssl=1\" alt=\"\" width=\"584\" height=\"388\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?resize=300%2C199&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/26.jpg?resize=452%2C300&amp;ssl=1 452w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<blockquote><p>\u00ab Le public peut errer, acheter, marchander au sein de ce march\u00e9 d\u2019antiquit\u00e9s, tout comme il peut simplement s\u2019en tenir \u00e0 un r\u00f4le d\u2019audience. Lors du troisi\u00e8me acte, un \u00ab pengci \u00bb enclenche le d\u00e9bat sur la question du vrai ou du faux, de ce qui est pr\u00e9cieux ou non, la question de la raret\u00e9. La brocante est le lieu d\u2019une confrontation entre la valeur du souvenir individuel et celle de la m\u00e9moire commune : comment vendre l\u2019objet au prix auquel on l\u2019estime ?<\/p>\n<p>Une fois le produit mis sur le march\u00e9, il prend valeur d\u2019antiquit\u00e9. Les m\u00e9moires des objets deviennent alors fant\u00f4mes. Ils d\u00e9ambulent au sein des \u00e9tals et ne peuvent plus reposer dans l\u2019objet lui-m\u00eame. Ils hantent alors les miroirs, et attendent l\u2019instant o\u00f9 la nuit est la plus noire pour aller \u00e0 nouveau errer dans la brocante. Enfin, apr\u00e8s un cycle de vente aux ench\u00e8res o\u00f9 l\u2019acheteur est d\u2019avantage d\u00e9sign\u00e9 par le destin que vainqueur d\u2019une lutte, les miroirs partent en qu\u00eate de celui qui sera leur prochain ma\u00eetre. \u00bb<em><a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a><\/em><\/p><\/blockquote>\n<p>L\u2019introduction d\u2019un march\u00e9 dans l\u2019espace d\u2019exposition est \u00e0 la fois une mani\u00e8re de donner sc\u00e8ne \u00e0 cette performance, mais se rattache aussi au positionnement de l\u2019artiste quant \u00e0 l\u2019h\u00e9ritage am\u00e9ricain du White Cube, \u00e0 la mise en place d\u2019alternatives quant \u00e0 la monstration des oeuvres. Lors de son discours d\u2019introduction \u00e0 l\u2019exposition, Qiu Zhijie d\u00e9clare :<\/p>\n<blockquote><p>\u00ab Peu importe la nature de l\u2019objet que l\u2019on place entre quatre murs blancs, une fois mis en lumi\u00e8re, nous avons la sensation qu\u2019il nous est impos\u00e9 de le consid\u00e9rer avec s\u00e9rieux. En r\u00e9alit\u00e9, le public subit le syst\u00e8me d\u2019exposition mis en place par l\u2019autorit\u00e9 du mus\u00e9e, au point qu\u2019avant m\u00eame d\u2019\u00eatre rentr\u00e9 dans l\u2019oeuvre, il est intimid\u00e9 par elle. L\u2019effet est le m\u00eame que celui des habits neufs de l\u2019empereur<a href=\"#_ftn3\" name=\"_ftnref3\"><em>[3]<\/em><\/a>.<\/p>\n<p>Le syst\u00e8me d\u2019exposition propos\u00e9 au mus\u00e9e de Minsheng nous enl\u00e8ve la possibilit\u00e9 de contempler paisiblement l\u2019oeuvre, sans que notre regard soit sollicit\u00e9 par d\u2019autres objets. Ils deviennent des arri\u00e8re-plans les uns pour les autres, ils sont perm\u00e9ables entre eux. Ici, on a le sentiment de se trouver dans une foire de temple<em><a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a><\/em>, dans un march\u00e9 d\u2019un d\u00e9sordre inou\u00ef. C\u2019est dans cet esprit qu\u2019est con\u00e7ue l\u2019installation. \u00bb<em><a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a><\/em><\/p><\/blockquote>\n<p><strong><em>\u00a0<\/em>DE L\u2019\u0152UVRE DANS L\u2019\u0152UVRE<\/strong><\/p>\n<p>Dans la continuit\u00e9 de son travail curatorial pour le pavillon chinois \u00e0 la biennale de Venise 2017, Qiu Zhijie d\u00e9veloppe donc un syst\u00e8me d\u2019exposition o\u00f9 la limite entre ce qui distingue l\u2019oeuvre de l\u2019objet est troubl\u00e9e. L\u2019usage de fragments d\u2019outils, de machines agricoles ou d\u2019antiquit\u00e9s dans les installations du premier \u00e9tage raisonne avec l\u2019id\u00e9e que l\u2019exp\u00e9rience esth\u00e9tique s\u2019\u00e9tend au del\u00e0 de ce que l\u2019on cherche \u00e0 identifier comme faisant oeuvre. La d\u00e9-construction de celle-ci comme corps unifi\u00e9 permet \u00e0 l\u2019artiste d\u2019aborder chaque pi\u00e8ce comme la composante d\u2019un syst\u00e8me de combinaison, au sein duquel les multiples point de vue sont autant d\u2019agglom\u00e9rats d\u2019objets composant plusieurs perspectives sur l\u2019histoire. Le refus de l\u2019artiste de se positionner comme auteur souligne cette volont\u00e9 de questionner la temporalit\u00e9 de l\u2019homme comme des choses.<\/p>\n<blockquote><p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em>\u00a0\u00a0 \u00ab J\u2019aimerais ajouter que l\u2019exposition \u00e0 laquelle vous assistez n\u2019est pas une exposition personnelle. Comme l\u2019indique le titre de l\u2019\u00e9v\u00e8nement, \u00abQiu Zhijie\u00bb n\u2019est qu\u2019un annotateur. Ici, l\u2019artiste majeur est celui dont je ne connais pas le nom. Celui qui, vivant \u00e0 la fin de l\u2019\u00e8re Jiajing et\u00a0du d\u00e9but de l\u2019\u00e8re Wanli de la dynastie des Mings, peignait les march\u00e9s, la soci\u00e9t\u00e9 humaine\u00a0et ses coutumes.\u00bb<em><a href=\"#_ftn6\" name=\"_ftnref6\">[6]<\/a><\/em><\/p><\/blockquote>\n<p><strong>ART TOTAL<\/strong><\/p>\n<blockquote><p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00abMon savoir et mes capacit\u00e9s sont limit\u00e9es, et la profondeur des choses me semble de\u00a0plus en plus lointaine. Je ne peux que tenter d\u2019exprimer de mon mieux ce que je comprends,\u00a0c\u2019est d\u00e9j\u00e0 bien difficile&#8230;\u00bb<em><a href=\"#_ftn7\" name=\"_ftnref7\">[7]<\/a><\/em><\/p><\/blockquote>\n<p><em>\u00a0<\/em>L\u2019exposition marque l\u2019apog\u00e9e de la notion d\u2019art total telle que Qiu Zhijie l\u2019a d\u00e9velopp\u00e9e tout au long de ces derni\u00e8re ann\u00e9es, dans son travail d\u2019artiste et de curateur mais aussi dans son approche p\u00e9dagogique<a href=\"#_ftn8\" name=\"_ftnref8\">[8]<\/a>. L\u2019art total tel qu\u2019il l\u2019entend ne rel\u00e8ve pas uniquement de la multiplicit\u00e9 des techniques engag\u00e9es dans l\u2019acte artistique ni de la volont\u00e9 de nous offrir un syst\u00e8me de re-lecture de l\u2019Histoire : il est le fruit d\u2019un engagement complet, d\u2019une curiosit\u00e9 d\u00e9vorante qui pousse l\u2019artiste \u00e0 s\u2019investir dans un nombre incalculable d\u2019activit\u00e9s, avec une fluidit\u00e9 d\u00e9concertante. Cette libert\u00e9 d\u2019agir et de se porter \u00e0 la rencontre de tous corps de m\u00e9tiers est \u00e0 la fois visible dans le projet expos\u00e9 au mus\u00e9e Minsheng, mais aussi dans la diversit\u00e9 des parties prenantes de l\u2019exposition et\u00a0du public rassembl\u00e9 le soir du vernissage.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Pengci (\u78b0\u74f7), un terme qui d\u00e9signe l\u2019action de se jeter d\u00e9lib\u00e9r\u00e9ment sous une voiture pour demander ensuite compensation.<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> <em>Notes de Qiu : le Projet des Lanternes Multicolores<\/em><em>\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u8ba1\u5212<\/em><em>, , <\/em>Mars 2018, catalogue d\u2019exposition, Mus\u00e9e d\u2019Art Contemporain Minsheng.<\/p>\n<p><a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> Ici, Qiu zhijie fait r\u00e9f\u00e9rence \u00e0 un conte d\u2019Andersen dans lequel deux marchands vendent \u00e0 l\u2019empereur un habit exceptionnel que seul les esprits les plus fins du royaume pourront appr\u00e9cier. Le v\u00eatement permettrait ainsi \u00e0 l\u2019empereur de les rep\u00e9rer. Finalement, le v\u00eatement n\u2019est qu\u2019une ruse, il n\u2019existe pas et l\u2019on ne peut donc pas le contempler. Personne, y compris l\u2019empereur, n\u2019ose avouer ne pouvoir le voir de peur de para\u00eetre sot. L\u2019empereur d\u00e9file donc devant son peuple v\u00eatu de rien, jusqu\u2019\u00e0 ce qu\u2019un enfant s\u2019exclame : \u00ab le roi est nu ! \u00bb.<\/p>\n<p><a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a>Manifestations organis\u00e9es dans les temples \u00e0 l \u2019arriv\u00e9e de la F\u00eate du Printemps. Ponctu\u00e9es de spectacles et ax\u00e9es sur l\u2019accomplissement de rituels religieux, ces foires sont aussi le th\u00e9\u00e2tre d\u2019activit\u00e9s \u00e9conomiques vari\u00e9es.<\/p>\n<p><a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a>Extrait du discours de Qiu Zhijie prononc\u00e9 lors du vernissage de l&rsquo;exposition, le 16 Mars 2018.<\/p>\n<p><a href=\"#_ftnref6\" name=\"_ftn6\">[6]<\/a> Ibid.<\/p>\n<p><a href=\"#_ftnref7\" name=\"_ftn7\">[7]<\/a> <em>\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u8ba1\u5212<\/em><em>,, Notes de Qiu : le Projet des Lanternes Multicolores, <\/em>mars 2018, catalogue d\u2019exposition, Mus\u00e9e d\u2019art contemporain Minsheng.<\/p>\n<p><a href=\"#_ftnref8\" name=\"_ftn8\">[8]<\/a> Qiu Zhijie est l \u2019un des fondateurs du d\u00e9partement <em>Art Total<\/em> de la section Interm\u00e9dia de l\u2019Acad\u00e9mie des Arts de Chine (Hangzhou).<\/p>\n<p><strong>Renvois bibliographiques<\/strong><\/p>\n<ul>\n<li><em>Sympt\u00f4mes Contemporains d&rsquo;une G\u00e9n\u00e9tique de la Tradition : La Derni\u00e8re Repr\u00e9sentation du Grand Programme Multim\u00e9dia \u00ab\u00a0Notes de Qiu : le Projet des Lanternes Multicolores\u00a0\u00bb\u00a0<\/em>\u4f20\u7edf\u57fa\u56e0\u7684\u5f53\u4ee3\u8868\u5f81\uff1a\u5927\u578b\u7efc\u5408\u827a\u672f\u8ba1\u5212\u201c\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u201d\u7ec8\u7bc7\u4e0a\u6f14 Site officiel de la CAFA (Acad\u00e9mie Centrale des Beaux-Arts, Beijing) http:\/\/www.cafa.com.cn\/c\/?t=2110026, Mars 2018<\/li>\n<li><em>Notes de Qiu : le Projet des Lanternes Multicolores\u00a0<\/em>\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u8ba1\u5212 Publi\u00e9 \u00e0 l&rsquo;occasion de l&rsquo;exposition \u00e9ponyme au Mus\u00e9e d\u2019Art Contemporain Minsheng, Beijing, Mars 2018<\/li>\n<li><em>Qiu Zhijie : Notes de Qiu : le Projet des Lanternes Multicolores &#8211; Portraits des R\u00f4les du Th\u00e9\u00e2tre\u00a0Jinping\u00a0<\/em>\u90b1\u5fd7\u6770\uff1a\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u8ba1\u5212\uff0d \u91d1\u9675\u5267\u573a\u89d2\u8272\u7ee3\u50cf Beijing\u00a0: Qiu Zhijie, Studio de gravure : XuYuan International Prints Studio, mars 2018.<\/li>\n<li><em>Qiu Zhijie, Voyages sans Arriv\u00e9es (Qiu Zhijie, Journeys without Arrivals)\u00a0<\/em>Document publi\u00e9 \u00e0 l&rsquo;occasion de l&rsquo;exposition \u00e9ponyme au Centre d&rsquo;Art Contemporain de Gen\u00e8ve, Gen\u00e8ve\u00a0: Les presses du r\u00e9el, 2017.<\/li>\n<li>Site officiel de l\u2019artiste : http:\/\/www.qiuzhijie.com<\/li>\n<\/ul>\n<div id=\"attachment_1816\" style=\"width: 810px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?ssl=1\"><img aria-describedby=\"caption-attachment-1816\" data-attachment-id=\"1816\" data-permalink=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/attachment\/27\/\" data-orig-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?fit=800%2C525&amp;ssl=1\" data-orig-size=\"800,525\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D5100&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1521380202&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;18&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"27\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?fit=300%2C197&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?fit=584%2C383&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1816 size-full\" src=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?resize=584%2C383&#038;ssl=1\" alt=\"\" width=\"584\" height=\"383\" srcset=\"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?resize=300%2C197&amp;ssl=1 300w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?resize=768%2C504&amp;ssl=1 768w, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2018\/04\/27.jpg?resize=457%2C300&amp;ssl=1 457w\" sizes=\"(max-width: 584px) 100vw, 584px\" data-recalc-dims=\"1\" \/><\/a><p id=\"caption-attachment-1816\" class=\"wp-caption-text\"><em>Brigands<\/em>, d\u00e9tail<\/p><\/div>\n<hr \/>\n<p>Artiste plasticienne, Fanny Paldacci travaille entre Beijing et Hangzhou, et poursuit une formation doctorale en association avec le cycle de recherche du d\u00e9partement Interm\u00e9dia, \u00e0 l&rsquo;Acad\u00e9mie des Beaux Art de Chine (Hangzhou).\u00a0\u00bb\u00a0<a id=\"LPlnk124956\" class=\"OWAAutoLink\" href=\"http:\/\/www.fannypaldacci.com\/\">www.fannypaldacci.com<\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u90b1\u6ce8\u4e0a\u5143\u706f\u5f69\u8ba1\u5212 P\u00e9kin, Mus\u00e9e d\u2019Art Contemporain Minsheng\u00a0du 16 Mars 2018 au 5 Mai 2018 Compte-rendu d&rsquo;exposition\u00a0par Fanny Paldacci Vendredi 16 Mars a eu lieu le vernissage de l\u2019exposition Notes de Qiu : le Projet des Lanternes Multicolores au mus\u00e9e d\u2019art contemporain &hellip; <a href=\"https:\/\/alaincardenas.com\/blog\/notes-de-qiu-le-projet-des-lanternes-multicolores\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_newsletter_tier_id":0,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[41,27],"tags":[32,8,35],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8Mijt-sO","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":756,"url":"https:\/\/alaincardenas.com\/blog\/art-in-situ-un-projet-art-mural-et-science-au-museum-national-dhistoire-naturelle\/","url_meta":{"origin":1786,"position":0},"title":"Art in situ, un projet art (mural) et science au Mus\u00e9um national d\u2019Histoire naturelle","author":"admin","date":"2017-10-29","format":false,"excerpt":"par Alain Cardenas-Castro L\u2019esprit des lieux\u00a0: de l\u2019ancien au nouveau Mus\u00e9e de l\u2019Homme Le nouveau Mus\u00e9e de l\u2019Homme est issu d\u2019une histoire complexe. Il est d\u2019abord l\u2019h\u00e9ritier du Mus\u00e9e d\u2019ethnographie du Trocad\u00e9ro fond\u00e9 en 1878 qui s\u2019est m\u00e9tamorphos\u00e9 ensuite en Mus\u00e9e de l\u2019Homme gr\u00e2ce \u00e0 son fondateur Paul Rivet. Nous\u2026","rel":"","context":"Dans &quot;\u00c9v\u00e9nement&quot;","block_context":{"text":"\u00c9v\u00e9nement","link":"https:\/\/alaincardenas.com\/blog\/category\/evenement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2023\/06\/JCD_4714-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1072,"url":"https:\/\/alaincardenas.com\/blog\/de-la-construction-a-la-destruction-sur-la-colline-de-chaillot-un-enchevetrement-entre-histoire-architecture-anthropologie-et-art-contemporain\/","url_meta":{"origin":1786,"position":1},"title":"De la construction \u00e0 la destruction sur la colline de Chaillot : un enchev\u00eatrement entre histoire, architecture, anthropologie et art contemporain","author":"admin","date":"2017-12-30","format":false,"excerpt":"Par Alain Cardenas-Castro Un r\u00e9cent appel d\u2019offre \u00e9manant de l\u2019INHA \u2014 appel \u00e0 contribution pour le num\u00e9ro 2018-2 de la revue Perspective et relatif \u00e0 la destruction \u2014 m\u2019a permis de remettre un texte correspondant \u00e0 la probl\u00e9matique donn\u00e9e. 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T\u00e9l. +33 6 26 76 36 33 galerieyounique@gmail.com compte-rendu par Alain Cardenas-Castro A\u2026","rel":"","context":"Dans &quot;Am\u00e9rique latine&quot;","block_context":{"text":"Am\u00e9rique latine","link":"https:\/\/alaincardenas.com\/blog\/category\/amerique-latine\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/alaincardenas.com\/blog\/wp-content\/uploads\/2025\/11\/1762721465297.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":328,"url":"https:\/\/alaincardenas.com\/blog\/colloque-international-sur-les-cloisonnes-occidentaux-et-chinois\/","url_meta":{"origin":1786,"position":3},"title":"Colloque international sur les cloisonn\u00e9s occidentaux et chinois","author":"admin","date":"2017-07-29","format":false,"excerpt":"Mus\u00e9e des cloisonn\u00e9s.\u00a0Beijing, 30 juin 2017. 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